Mary Frank was a sculptor and painter inspired by dance, photography, and the moving body. Born in London, Frank immigrated to the United States in the 1940s and danced with Martha Graham and studied art at the American Art School in New York. Frank imparts a sense of the timelessness and her work, and her sculptures have been described as sensual, sublime, poetic and profoundly moving, placing her among the foremost figurative artists of our time. 

Trude Fleischmann opened her studio at age 25, worked as a successful independent photographer through the Depression, and photographed some of the great artists, thinkers, and activists of her day, including Max Reinhardt, Eleanor Roosevelt, and Albert Einstein. Fleischmann regarded photography as a craft rather than an art, an attitude which also helped open the field to women.

Celia Dropkin’s sexually explicit poetry expanded possibilities for the depiction of relationships between men and women in modern Yiddish poetry. Throughout the 1920s and 1930s, her poems appeared in avant-garde Yiddish literary publications. Infused with erotic energy, the themes of Dropkin’s poetry – sex, love, and death – shocked her contemporaries.

Stella Drabkin was a talented painter and mosaicist who innovated new methods of printmaking. She is known for her experiments with multitype, a variation on monotype printing with layers of texture and color, creating mosaic panels on biblical themes, and creating prints with poems. Following her death, in 1972 the Art Alliance established the Stella Drabkin Memorial Award Fund in her honor. 

Friedl Dicker was an artist and educator who studied at the Bauhaus school then led art classes at Terezin.  In the ghetto, Dicker taught drawing to hundreds of children, designed sets and costumes for children’s performances, and made an exhibition of children’s drawings in a basement. She also created her own sketches, many of which were discovered in the 1980s.

Sonia Delaunay was known for her vivid use of color and her bold, abstract patterns, breaking down traditional distinctions between the fine and applied arts as an artist, designer, and printmaker. She designed costumes for operas and ballets around Europe and created her own fashion design company. Deluanay was the first female artist to have a retrospective show of her work at the Louvre in 1964.

Living a privileged existence in the wealthiest circles of German cultural society, Ida Dehmel became involved in circles of patronage of modern art that raised awareness for feminist issues, including women’s suffrage and equality for women’s artists’ associations. In 1916 she co-founded the Women’s Society for the Advancement of German Art.

Lucille Corcos was celebrated as one of the foremost “modern primitivist” painters in America, creating revealing composite urban scenes. Corcos was widely praised for her lack of self-consciousness and complete freedom of expression, and she exhibited works throughout the United States and Europe.

Claribel Cone was well known in her time for being a dignified and highly independent woman with two passions: medical research and collecting art and artifacts. She is immortalized in drawings by French modernists Pablo Picasso and Henri Matisse and in Gertrude Stein’s essay “Two Women.”

Katherine M. Cohen was a sculptor and artist dedicated to advocating for equality for women in the arts. Comfortably situated in the community of Philadelphia’s Jewish elite, Cohen created many commissions for the community reflecting Jewish themes and illustrated a Jewish children’s book. Cohen made a speech at the Chicago World’s Fair advocating for the support of artists, and specifically female artists.

Best remembered for her contribution to Jewish cultural life and for her unique ability to inspire those around her, Corinne Chochem had a distinct impact on Hebrew folk dance, both in her teaching and her two books, Palestine Dances (1941) and Jewish Holiday Dances (1948).

Hattie Carnegie was a leader in American fashion for three decades, designing clothes with a blend of simplicity and elegance. Carnegie’s work ranged from designing uniforms for the Women’s Army Corps to one-of-a-kind creations for clients like the Duchess of Windsor, Clare Booth Luce, Tallulah Bankhead, and Joan Crawford.

Anita Brookner was a British Jewish novelist and accomplished art historian known for her elegaic, gloomy novels depicting the bleak and disappointed lives of women. Receiving the Booker Prize in 1984 for Hotel du Lac, Brookner achieved international fame and recognition as one of the most accomplished writers of English fiction in the later twentieth century.