Art

Content type
Collection

Jewish Women’s Comics and Graphic Narratives

The history of Jewish women’s comics and graphic novels can be traced back to early and mid-20th-century progenitors. With the underground comics scene of the late 1960s/early 1970s, several Jewish women laid the groundwork for the themes, styles, and communal ties that would be taken up by the post-underground. In the 21st century, the works of Jewish women in comics and graphic novels is booming.

Mirta Kupferminc

Mirta Kupferminc (b.1955) is an internationally recognized contemporary Argentine Jewish artist. For the past four decades, she has explored memory, culture, history, and language, in a variety of art media.

Sarah Rodrigues Brandon

Sarah Rodrigues Brandon (1798-1828) was born poor, enslaved, and Christian on the island of Barbados. By the time of her death thirty years later she was one of the wealthiest Jews in New York and her family were leaders in Congregation Shearith Israel. This entry explains Sarah’s life journey and highlights how her story relates to that of other women of mixed African and Jewish ancestry in early America.

Marti Friedlander

London-born Marti Friedlander migrated to New Zealand in 1958. She became one of the country’s most outstanding and influential photographers in portraiture, photo-journalism, photo-books, and “street” photography. Her photographs still live vigorous public lives in exhibitions, books, and periodicals published after her death.

Cover Illustration from Micah Bazant's "TimTum: A Trans Jew Zine": an illustrated figure with horns, and a star of David drawn on their chest, holds a needle and scissors connected to thread stitched across the figure's chest.

How “TimTum: A Trans Jew Zine” Taught Me to Be a Sexy, Smart, Creative, Productive Jewish Genderqueer

Avivit

I discovered Micah Bazant’s “TimTum: A Trans Jew Zine” in early high school, at a critical juncture (read: identity crisis).

Topics: Art, Religion

Episode 52: Siona Benjamin's Transcultural Art (Transcript)

Episode 52: Siona Benjamin's Transcultural Art (Transcript)

Episode 52: Siona Benjamin's Transcultural Art

Siona Benjamin’s art dances with vibrant colors and mythical figures—Lilith wrapped in a prayer shawl, Vashti with angels wings, a blue-skinned woman with multiple arms held up like a menorah. Siona is an Indian Jew from Mumbai now living in the US, and her art reflects her transcultural identity: it's Jewish, feminist, Indian, American, and influenced by the Hindu and Islamic cultures she grew up in. Siona Benjamin joins us for the third in our series on creativity in the global pandemic.

Illustration of Curly Hair

Embracing My Curls, Embracing My Jewish Femininity

Simone Miller

My hair doesn’t only destroy hair ties; it also destroys insecurities about my Jewishness and femininity.

Elsa Dorfman, 1937-2020

Elsa Dorfman is best known as a photographer who used a large format Polaroid camera to make 23 by 36 inch portraits of a wide range of individuals, from celebrities such as Allen Ginsberg, Andrea Dworkin, Bob Dylan, and members of the Big Apple Circus, to children, families with their pets, babies, and couples.

2019-2020 Rising Voices Fellows Zine Cover Page Cropped

An RVF Zine: Reflecting on the 2019-2020 Rising Voices Fellowship

Rising Voices Fellows

The 2019-2020 Rising Voices Fellows reflect on their time in the Fellowship and on their collaborative zine-making process.

Topics: Activism, Art, Writing
2019-20 Rising Voices Fellow Hannah Landau's Zine Pages

How to Be Perfect: A Guide for Girls

Hannah Landau

Perfection is the goal and trying is the consequence.

Topics: Feminism, Crafts
Collage by Lila Goldstein

Collaging in Quarantine

Lila Goldstein

Collaging is an old hobby of mine that has taken on new value during this pandemic.

Topics: Art, Crafts
Gold Star of David necklace hanging in midair, in partial focus.

Jewelry and Jewish Feminism

Lila Goldstein

Like everything we wear, our jewelry displays our tastes and preferences. On a deeper level, though, it also projects our values to the world.

Sneaker with butterflies on it

Butterflies and What They Mean to Me

Lila Zinner

I love butterflies because, to me, butterflies represent freedom and bliss.

Irma Gershkowitz in a Pussy Hat CROP

A Century of Hats and Spirit

Leann Shamash

A new mother/daughter photo project encourages viewers to challenge ageism and value the experiences of the elderly.

Siona Benjamin

Born in Mumbai, India, Siona Benjamin is an artist now living in the New York City area.

"Judith Slaying Holofernes" by Artemisia Gentileschi, circa 1614-20 (cropped).

Loving Judith

Justine Orlovsky-Schnitzler

Gentileschi’s rendition of Judith is a self-portrait—allowing her to wield a sword and take revenge, if only in fantasy. Judith Slaying Holofernes was the first piece of feminist art that really moved me. Even now, I get chills when I view it. I thought a lot about Judith this week, after dusting off my menorah and dutifully buying candles and gelt.

To All the Boys I've Loved Before

The Fashion of "To All the Boys I've Loved Before"

Rebecca Long
This summer, no movie captured our hearts like Netflix's To All the Boys I’ve Loved Before. Rafaella Rabinovich, the costume designer responsible for film's iconic looks, discusses the most popular outfits from the movie and the importance of representation in film.
Market at Minho by Sonia Delaunay, 1915

The Art of Gender Representation

Sofia Heller

The words to SZA’s “Drew Barrymore” ring in my ears as I write this; the song serves as an anthem for the teen angst and insecurities I’ve been feeling since I got home from school today. Feeling lonely, feeling like I’m not living up to the standard of female beauty: SZA articulates the thoughts that have been running through my mind.

Topics: Painting, Music
"TALIT"

A Fringe of Her Own: An Interview with Tamar Paley

Judith Rosenbaum

If women had a say in the creation of these ritual objects, how would they look and feel? I began by trying to figure out how women around me today are experiencing their spirituality. And as a jewelry designer, I was also thinking about how this material feels on the body, where it is worn ...

Pathways to Freedom Kiosk

Passover, Freedom, and Public Art: An Interview with Julia Vogl

Judith Rosenbaum

Artist Julia Vogl travels the world, transforming public spaces into works of art that reflect the shared experiences of the local community while embuing those spaces with strikingly vibrant color and patterns.

Olga Shmuylovich

An artist whose work is rooted in Jewish identity, Olga Shmuylovich spent the first part of her life trying unsuccessfully to emigrate from the Soviet Union, until finally resettling in Boston with her husband, also an artist, in 1992.

Man Wearing Native American Headdress

Inappropriate Appropriation

Sofia Heller

My classmates started posting pictures from last year’s Coachella, their excitement for the music festival illuminating my phone screen. However, amidst all the elation, I couldn’t help but notice the troubling cultural appropriation that also filled the pictures. In the backgrounds of nearly every photo I saw, there were young women wearing bindis and feathered headdresses, and young men wearing war paint. Unfortunately, this insensitivity to and misappropriation of cultures is not specific to Coachella, nor is it a new problem in fashion.

Julia Clardy's Legs

Wearing the Pants, and the Dress as Well

Julia Clardy

When I showed a girl in my class the prom dress I was thinking about buying, the first thing she asked me was whether or not I was going to shave for prom. Her question wasn’t really that surprising. People often associate body hair with uncleanliness, and they don’t expect it to appear in formal situations. The fact is, people only question me about my body hair when I’m wearing something more traditionally feminine. When I’m wearing shorts and a t-shirt people rarely look twice at my legs or armpits, but when I’m wearing a dress, people consistently double-take. When it comes to how other people see me, it seems that my casual clothes and body hair make more sense together than my more feminine clothes and body hair.

Portrait of Elisa Klapheck by Marlis Glaser

Painting Courage and Painting History

Abby Richmond

Marlis Glaser, a German artist, grew up in rural Germany, not knowing any Jews or her father’s previous involvement with the Nazi party. Glaser was introduced to a German Jewish woman who had survived the Holocaust. Now, Glaser has shaped her art around Judaism, and recently converted. Her colorful work includes hundreds of portraits of Holocaust survivors, their families, and other Jewish figures throughout history.

Topics: Painting

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