Feisty and opinionated, Sylvia Sidney was quite the opposite of the waiflike victim of social oppression she played in Hollywood’s Depression Era films. While she disliked playing the victim, her vulnerability and working-class persona resonated with audiences. She earned an Oscar nomination for her performance in Summer Wishes, Winter Dreams, took on a comic role as the caseworker in Beetlejuice, and played a sympathetic grandmother in one of the first TV movies about AIDS, An Early Frost.

Rebecca Solomon’s success as a professional artist was remarkable in the mid-nineteenth century, a time when women artists were the exception rather than the rule. While her artistic style conformed to the most popular art of the time, she used her visual images to critique ethnic, gender, and class prejudice in Victorian England.

Estelle Joan Sommers was a designer, entrepreneur, and executive who made her career in retail dancewear, introducing innovative designs for Capezio’s dance and exercise clothing.

Mollie Steimer earned nationwide attention for her refusal to compromise her anarchist beliefs during the widely publicized 1918 trial in which she was sentenced to prison under the Sedition Act. Later deported to Russia and then to Germany, Steimer continued her anarchist activities throughout her life.

Grete Stern was one of the founders of Argentina’s modern photography. After studying photography in bohemian Berlin and at the legendary Bauhaus School, Stern developed an unconventional approach to photography, including advertisement collages and studies with crystals, objects, and still-lifes. Between 1935 and 1981 Stern was an influential artistic presence in Argentina, known for her photographic work, graphic design, and teaching.  

Irma Stern was a remarkably prolific artist, holding more than a hundred solo exhibitions. It took time for Stern's espousal of modernism, color, and rhythm to find acceptance in the conservative art world of South Africa. After her death, the Irma Stern Museum, administered by the University of Cape Town, was opened.

Florine Stettheimer's paintings are lively, diarylike accounts of her life and acute examinations of upper-class ways in New York between the wars. Her decorative style offered an alternative to prevailing modes of contemporary modernist painting. Through her work, she criticized the high-mindedness of modern art and the course of modern life. 

From the moment she arrived in the city in 1912 until the day she died in 1980, Anna Ticho lovingly portrayed Jerusalem in paint, pen and ink, charcoal, pastel, and pencil. Her works have been shown around Israel and abroad, and she has received numerous honorary titles and awards. She bequeathed her home, Ticho House, to the Israel Museum to be used as a site for exhibitions and cultural events.

Marie Trommer was an early twentieth-century writer, poet, artist, art critic, and contributor to American Jewish newspapers. After attending the Cooper Union Art School, Trommer became known for her contributions to Jewish newspapers, her poetry, and her oil and watercolor paintings. She was a member of the Creative Writers Group, Society of Independent Artists, and Art Alliance of America. 

Doris May Ulmann was a photographer who elevated photography to a fine art form, as she captured celebrities of her day, doctors, black plantation workers, and the rural poor of Appalachia. Born in New York in 1882, Ulman rose to become a prominent photographer of all aspects of American life and is credited with producing the most extensive documentation of southern plantation life in her work.

Among art lovers in Israel and in the inner circles of artists, Aviva Uri is considered a legend who shaped generations of artists in Israel. Born in Safed, Uri was known for her abstract scribbles that expressed anxiety and distress, as well as her later depictions of mourning, death, and destruction. In 1952, she received the Dizengoff Prize and in 1957 she exhibited her work at the Tel Aviv Museum.