In the years between 1914 and 1933, numerous significant personalities in art, culture, politics, society and sport met in the photographic portraiture studio of Nini and Carry Hess. With their technical and aesthetic brilliance, the sisters were among the leading photographers in Germany of the time.

A study of the role of Jewish women in household formation, the household, and household dissolution, as well as their engagement in Jewish culture in early modern Italy, raises the question of how much of Jewish practice reflected the context of the surrounding society and how much engaged options in traditional Jewish practices, which were selected to meet their own needs. Despite the wealth of information about some well- known women and reports of the activities of many unnamed women, Jewish women, like Christian women, still functioned in the context of women and the period does not represent a Renaissance for women.

After leaving Nazi Germany in 1935, Lotte Jacobi became a renowned photographer in New York as she captured intimate portraits of prominent Americans such as Robert Frost, Eleanor Roosevelt, and Paul Robeson. Jacobi was highly interested in politics and an active delegate to the Democratic National Convention. She was known for engaging her subjects in rich conversation as she photographed them.

American Jewish women have played an outsized role in the foundation of Jewish museums all over the country. Barred from traditional spaces of power in the early twentieth century, many women—adjacent to power as Rebbetzins, philanthropists, and secretaries of libraries and other Jewish organizations—leveraged their connections to found new kinds of cultural institutions: museums.

Donna Karan started her career as an intern for the renowned designer Anne Klein and became the design director for Klein’s label in 1974. She quickly built a reputation for designing clothes for a range of body types. She has two of her own brands, which have become household names around the world, and her designs have regularly won awards.

Ada Karmi-Melamede (b. 1936) is a prominent Israeli architect. Her work includes a variety of public and private projects, among them the Supreme Court Building in Jerusalem and The Open University campus in Ra’anana. In 2007, she received the Israel Prize in architecture, the second woman to have ever received this prize.

Beginning in 1929, the religious kibbutz (Kibbutz Ha-Dati) movement represented the confluence of progressive ideals of equality and collectivism and traditional customs of Judaism. As a result, women in the movement lived at a crossroads.

Rosa Kliass is a trailblazer in the field of Brazilian landscape architecture. After graduating from university, Kliass established the first landscape office run by a woman in Brazil. Kliass’ extensive experience in public works, combined with a broad interdisciplinary approach, led her to serve as a consultant to several governmental institutions.

Rose Kohler was a multitalented woman who was known as an accomplished painter and sculptor. She was a teacher in, and later the chair of, the National Council of Jewish Women’s religious schools in Cincinnati, Ohio, and wrote many articles on art and religion.

Broncia Koller-Pinell was a successful artist in the late nineteenth and early twentieth centuries and a contemporary of Josef Hoffmann, Kolo Moser, and Gustav Klimpt in Vienna. As a Jew and a woman creating art in Christian male-dominated spaces, Koller-Pinell remained true to herself and created beautiful artwork in spite of the adversities she faced.

Joyce Kozloff is an internationally recognized painter, public muralist, and feminist whose long-term passions have been history, culture, and the decorative and popular arts. One of the founders of the pattern and decoration movement, Kozloff is dedicated to creating her own work and giving the folk art of women of color a voice. Kozloff is known as one of America’s more original and engaging artists.