May Brodbeck, whose career in the sciences ran the gamut from teaching high school chemistry to exploring fundamental philosophical questions about the nature of human consciousness, was among the foremost American-born philosophers of science.

A novelist, playwright, and ritualist, Esther M. Broner emerged on the literary scene in the early 1970s as a leading feminist writer. Her novels feature bitter, fearless, and funny characters. In other works, Broner has combined autobiography with feminist critique of Jewish tradition and created new rituals, such as her 1976 “Women’s Haggadah.”

Fighting the constraints of her Orthodox upbringing and expectations of her role as a wife and mother, novelist Carry van Bruggen wrote movingly of both the need for freedom and the isolation it could bring.

Women’s vocal leadership in synagogue music began with zogerin (women prayer leaders) in the women’s gallery. In the nineteenth century, women began participating in mixed choral and community singing, and some opera singers acted as cantors in important Reform congregations. In the 1970s and 1980s, the Reform and Conservative movements began formally investing women as cantors, and today a plurality of cantors in liberal movements are women.

Women were among the earliest settles in the Dutch and English Caribbean. Early Caribbean Jewish women, despite living in patriarchal societies, still managed to engage in public pursuits. As Caribbean Jewish communities became increasingly racially blended over time, women of color became some of the most definitive architects of distinctly Creole Caribbean Jewry.

Jewish-Algerian-French writer Hélène Cixous published her first book in 1967 and approximately her eighty-seventh in February 2021. This “life writing” comprises poetic fiction and autobiography, literary and feminist theory, art criticism, and theatrical works. Cixous explores the myriad contradictions and consequences of loss and exile, of “being Jewish” and “being a woman.”

Katherine M. Cohen was a sculptor and artist dedicated to advocating for equality for women in the arts. Comfortably situated in the community of Philadelphia’s Jewish elite, Cohen created many commissions for the community reflecting Jewish themes and illustrated a Jewish children’s book. Cohen made a speech at the Chicago World’s Fair advocating for the support of artists, and specifically female artists.

Incorporating biblical themes and Sephardic music into her dances, Yardena Cohen helped create a uniquely Israeli artistic culture. Cohen opened her Haifa dance studio in 1933 and maintained it for some seventy years, stressing creative dance. She continued to teach well into her nineties and in 2010 was awarded the Israel Prize for Lifetime Achievement.

Jewish women in colonial America led varied lives, with some occupying traditional roles as mothers and wives and others remaining single. Some ran their own businesses and others worked as servants for Jews with more money. Both in and out of the synagogue, women played a crucial role in early American Jewish communities.

The story of the concubine at Gibeah, who is murdered when her husband sends her out to a crowd of Benjamites, is one of the most shocking narratives in the Bible. The rabbis do not blame the unnamed woman for her fate and the ensuing crisis, instead placing the blame at the feet of the Levite and the leaders of Israel.