Just as the many well-known thinkers of the Enlightenment debated the proper role of women in society, so did the maskilim, the men of intellect who burst upon Ashkenazi Jewish society in the eighteenth- and nineteenth-century revolution known as Haskalah. Dominated by men, the movement critiqued Jewish tradition and encouraged modernity among Jews, but simultaneously met Jewish women’s pursuit of modernity with ambivalence.

Pianist Clara Haskil was one of the greatest performers of her time. As an early prodigy, Haskil began studying music at age six and grew to have an international career, performing throughout the world and appearing at the most prestigious music festivals, in spite of chronic health challenges. 

Though few of their names were documented, the women of the Hasmonean family were important figures in political and familial affairs during the second and first centuries BCE.

After beginning her career as a dancer, Goldie Hawn won many awards for her critically acclaimed acting performances. She has been one of the most successful women in Hollywood and, since executive producing Private Benjamin in 1980, she has continued to produce films with her own production company.

Born in Tel Aviv, Ofra Haza was an international singing sensation who performed across Europe, America, and Israel. Known for combining traditional Yemenite music with electronic pop sounds, Haza performed in the film Shlagger and in 1983 she placed second in the Eurovision competition. In 1998 Haza collaborated with many world-renowned artists and performed Naomi Shemer’s “Jerusalem of Gold” at the official ceremony marking Israel’s fiftieth anniversary.

On the outbreak of World War II, Bela Hazan escaped her hometown of Rozyszcze, Poland, for Vilna, where she worked as a smuggler for the Dror movement. She was arrested by the Gestapo in 1942 and sent to Auschwitz, where she served as a nurse, then to Ravensbruck, and finally to Leipzig, from which she was liberated. She immigrated to Israel, where she died in 2004.

American women have been the “perennial health care reformers.” Women’s health activism has often coincided with other social reform movements. Since the late 1960s, Jewish women have helped create and sustain the women’s health movement through decades of substantial social, political, medical, and technological change.

Hebrew song as a whole, including songs of Erez Israel and the State of Israel, is a unique socio-cultural phenomenon that has developed over time. The dawning of Hebrew song can be traced to the period between 1880 and 1903, and it has grown to reflect the diverse aspects of Israeli society since then. The contribution of women to Hebrew songs, in general, has risen steadily over the years. 

Jewish education in the United States was always the preserve of women on the “front lines” and in the classroom. In the early days of these programs, men “ran the show,” but beginning in the mid-twenteith century, women began to take on increasing roles as faculty members and administrators. In the early twenty-first century, women ascended to leadership positions in these institutions.

Hebrew women in Egypt are critical figures in the Bible, especially concerning their maternal and physically nurturing roles. Hebrew midwives help male babies escape the infanticide commanded by the Pharaoh, and another woman helps save baby Moses’ life. These stories show how women were able to undermine the Pharaonic authority and ensure the survival of the Hebrew people in general.

The Rabbis famously maintain that the Israelites were redeemed from Egypt by merit of the righteous women of that generation, who strove mightily to continue to bring forth children, regardless of the grueling servitude and despite Pharaoh’s decree that the male children be killed.

The Rabbis portray the women of the generation that wandered in the wilderness as righteous, not caught up in the sins that swept the men of Israel.

Called the “'Top Man' on Broadway” by the New York Woman, Theresa Helburn created a venue for great American playwrights as director of the Theatre Guild and played a key role in the history of the modern American musical. While she wrote plays of her own throughout the 1920s, Helburn is most remembered for the many ways she furthered the talents of others.