Yokheved Bat-Miriam was part of a group of pioneering Hebrew women poets in the 1920s. Her poetry commemorates the religious and emotional lives of Jewish women and frequently focuses on women of the Bible who composed and/or recited poetry.

Shulamit Bat-Dori defied notions about the inappropriateness of theater in the kibbutz, creating popular and acclaimed plays for the masses. Bat-Dori joined Ha-Shomer ha-Za’ir and made Aliyah in 1923, bringing her passion for theater, dance, music, and languages to Kibbutz B (later Mishmar ha-Emek). She wrote plays and founded the Kibbutz theater.

Born in Wilkomir, Lithuania, in 1925, the much-awarded Rivka Basman began writing poetry at an early age. She composed poetry during the Holocaust, and continued to publish books of lyrical poetry long after. Only late in life did she directly address her experiences during the Holocaust.

Ora Bat Chaim is a poet, painter, and concert manager who in her late 50s began a prolific music composition career. Bat Chaim was the manager of the Zavit Theater and composed over 400 pieces for musicians, plays, and movie soundtracks. Her music can be described as a reflection of Jewish mysticism, yoga, and universal principles of truthfulness, compassion, and tolerance.

Psychologist Dorothy Walter Baruch championed the health development of children as an educator, author, psychologist, and as a community leader. Her psychodynamic approach to child development focused on the relationship between physical, emotional, and intellectual development and on rechanneling children’s feelings through play and art therapy.

Barbara (Monique Andrée Serf) was a French singer and composer whose melancholy style rose to national significance. Born in Paris in 1930, after World War II Barbara studied music, rising to fame in the 1960s. Her Jewish identity and wartime experience as a child influenced her non-conformist persona as an artist, and through her song lyrics, she advocated for Franco-German reconciliation.

Devorah Baron is one of the few Hebrew women prose writers in the first half of the twentieth century to gain critical acclaim in her lifetime. She wrote primarily about Jewish women’s lives, focusing on the challenges women faced in a society that did not value them equally. Her work was in dialogue with European writers, including Chekhov and Flaubert, and with Hebrew modernist writer S. Y. Agnon.

In Hungary, Zsófia Balla is considered one of the greatest women poets. Her lyricism is mixed with grotesque playfulness along with fragmented, ironic, prose-like sequences. Due to her outspoken and down-to-earth character, she plays a large role in shaping contemporary Hungarian literature.

Elisabeth Badinter is one of France’s most prominent and controversial philosophers. Among her most important contributions figure her numerous writings about feminism and gender relations, which emphasize the importance of “equality through resemblance,” as well as her historical works on the Enlightenment.

A religious German-Jewish writer, intellectual, and ardent Zionist, Bertha Badt-Strauss was one of the first women to earn a doctoral degree in Prussia. She was a prolific writer, publishing hundreds of articles over the course of her lifetime, and was very involved in the “Jewish Renaissance” cultural movement. She was dedicated in particular to illuminating the diverse experiences of Jewish women past and present.

As the status and roles of women in American and Jewish life changed over the twentieth century, more and more American Jewish women turned to autobiographical writing as a means of documenting these changes and addressing questions of American, Jewish, and female identity. Jewish women created accounts of the immigrant experience, feminist or activist involvement, political and literary involvement, Holocaust survival narratives, as well as coming-of-age memoirs.

Rose Ausländer was an acclaimed German-language poet, whose poetry reflects her awe for the natural world, her experience during the Holocaust, her travels through Europe, and the close relationships she had with friends and family, particularly her mother. The bulk of Ausländer’s work was published after 1965, when she settled in Düsseldorf, Germany.

The first Jewish women, like the first Jewish men, arrived in Australia on the very first day of European settlement in 1788. Those convict pioneers were followed by free settlers who made Jewish communal and congregational life viable and helped to develop the vast continent. Jewish women have made significant contributions to Australia's national story.

Rokhl Auerbakh (1903–1976), a member of the Polish-Jewish literary elite, ran a soup kitchen in the Warsaw Ghetto while simultaneously recording the voices of its captive inhabitants in her writing. She ultimately survived the war by passing herself off as an "Aryan," and went on to found the Department for the Collection of Witness Testimony at Yad Vashem in Jerusalem.

Liliane Atlan (1932-2011) was a post-World War II French Jewish writer whose stylistically innovative plays, poetry, and narratives represent themes rooted in Jewish tradition. In a literary world shattered by the reality of the death camps, Atlan questions Messianic faith, patriarchal values, and humanistic philosophy.

The minor character Asenath, mentioned in the Bible as Joseph’s wife and mother of Manasseh and Ephraim, became the heroine of an ancient Jewish novel written between 100 BCE to 200 CE, likely in Egypt. In the text, the daughter of an Egyptian priest falls in love with Joseph, turns to the God of Israel, marries Joseph, and is saved by God and some of Joseph’s brothers from attack by Pharaoh’s son.

Until recently all that was known about Devorà Ascarelli was available in a 1601 collection of mainly Italian translations of Hebrew liturgy for the Day of Atonement, Me’on Ha-Sho’alim. Now it is known that she was born Devorà Corcos to a prominent Roman Jewish family, most of whom, including many of her children, would convert, by force or voluntarily, to Catholicism. New information reveals that in Me’on Ha-Sho’alim, she transliterated the Italian translations of another author into Roman letters that could be read by more Jews.

Margaret Gene Arnstein was a principal architect of the American nursing profession. Her belief that nurses should be involved in health policy and research helped transform her profession. Renowned for her work in public health, Arnstein also advanced nursing education and research.