In her short life, self-taught photographer Aenne Biermann made a profound impact on the arts as a major proponent of “new objectivity,” a rejection of romantic idealism in favor of practical engagement with the world. As a photographer, she explored nature, the quality of light, and precise structures. Her works were part of every major exhibition in Germany at the time.

A feminist before her time, Adele Bildersee was an advocate for women in education. She graduated with the first class of the then all-women’s Hunter College in 1903 and went on to help found Brooklyn College, serving as both its dean of students and its director of admissions.

Bilhah is given to Rachel as a maid and would later serve as a surrogate mother for Rachel when she could not conceive. Though the story records none of Bilhah’s thoughts or words, she gives birth to two of Jacob’s sons for Rachel, Dan and Naphtali, and is remembered as one of the ancestresses of the Israelites.

Bilhah was the maidservant of Rachel and mother of Dan and Naphtali. The rabbis fill in details about her life, her relationship with Jacob, and the confusing incident between Bilhah and Reuben, Jacob’s eldest son.

 Ilse Bing was known as the “Queen of the Leica” for her work in photojournalism, fashion, and advertising with this new camera, fast film, and darkroom techniques of polarization and cropping. Her work was highly influential in France in the 1930s when many émigré artists were energized by the cross fertilization of disciplines that contributed to modern photography.

In 1977, biochemist Yehudith Birk became the first woman to serve as a dean at the Hebrew University. An internationally renowned scientist for her studies of legume seed proteins and proteinase inhibitors, she won the 1998 Israel Prize for agricultural research.

During her brief life, Yiddish writer Chaske Blacker worked in radio, tobacco and dress factories, and reared two children while supporting her poet-husband. It is no surprise that her stories mainly focused on the working class. She produced two novellas and a dozen short stories while still acting as the main breadwinner for her family.

German physicist Marietta Blau joined the Institut für Radiumforschung, where she developed an emulsion technique for recording the tracks of particles that allowed her to detect neutrons and observe nuclear disintegration caused by cosmic rays. Forced to emigrate in 1938, worked for the US Atomic Energy Commission and later taught at the University of Miami. Throughout her career, she faced discrimination for her religion and gender and was denied paid work.

Tina Blau was the only Jewish woman artist of her generation to be recognized by her peers. Blau made her artistic debut in 1867 and her paintings were included in the 1873 Viennese World Exhibition. In 1897 she co-founded the Wiener Frauenakademie, an art school for women, and taught there until 1915.

Henrietta Gittelson Blaustein was an American philanthropist. When her husband died in 1937, she became the chairperson of the Louis and Henrietta Blaustein Foundation. In 1951, the foundation awarded $1,000,000 to the Sinai Hospital and the Jewish Medical Center in Baltimore – the largest individual contribution ever made to a Jewish organization at that time.

Blanche Bloch helped open new opportunities for women in music as both a founding member and conductor of the New York Women’s Orchestra. Bloch collaborated with her husband, Alexander Bloch, performing, writing operettas, and delivering joint concerts and music lectures. Bloch also authored two mystery novels.

Julienne Bloch was a writer and educator who used her career to strengthen the Jewish community in nineteenth-century France by pushing back against the assimilation and secularization of her fellow French Jews, especially Jewish women.

As chairwoman of the Bundist women’s organization Yidisher Arbeter Froy, Dina Blond was one of the most prominent representatives of the Jewish labor party in interwar Poland. At the same time, she was also one of the best-known Yiddish translators of her day.

A beautiful and accomplished stage and screen actress, Joan Blondell was known for playing character roles as a wisecracking, working-class girl. Blondell toured all over the world, performed on Broadway, and eventually ended up in Hollywood doing movie and television work. In 1972 she wrote a novel, Center Door Fancy, based on her own life and career.

Florence Meyer Blumenthal, an extraordinary philanthropist and arts patron, organized her own arts foundation in Paris, and donated millions of dollars to established institutions and public charities in America and France. Blumenthal’s foundation funded hundreds of promising artists and allowed them to focus on pursuing their craft.

Created at the beginning of the twentieth century, B’nai B’rith Women expanded its role during both World Wars. Although gender roles after World War II reverted to a more conventional structure, in the 1960s BBW shifted its efforts to reflect the antipoverty and feminist campaigns of the period.

A member of the first generation of modern dancers in Vienna, Gertrud Bodenwieser developed her own style of modern Ausdruckstanz (expressionist dance). From her studio in Vienna, she established the Bodenwieser Dance Group and went on to tour Europe, Japan, and Columbia. In 1938, she immigrated to Australia and played a significant role in the development of modern dance there.