It was Selma Jeanne Cohen’s mission in life to make dance scholarship a respected field, taking its place with the study of the other arts both in society and, particularly, the university. As a writer, editor, and teacher, she was a leader in transforming dance history, aesthetics, and criticism into respected disciplines. Cohen founded the Society of Dance History Scholars and received the first Dance Magazine Award ever given to a dance historian.

Incorporating biblical themes and Sephardic music into her dances, Yardena Cohen helped create a uniquely Israeli artistic culture. Cohen opened her Haifa dance studio in 1933 and maintained it for some seventy years, stressing creative dance. She continued to teach well into her nineties and in 2010 was awarded the Israel Prize for Lifetime Achievement.

Fannia M. Cohn was one of the leading Jewish women trade union activists in the United States. Drawing on her Russian Jewish cultural traditions, she pioneered the development of educational programs within the International Ladies Garment Workers Union (ILGWU).

Jewish women in colonial America led varied lives, with some occupying traditional roles as mothers and wives and others remaining single. Some ran their own businesses and others worked as servants for Jews with more money. Both in and out of the synagogue, women played a crucial role in early American Jewish communities.

Betty Comden wrote lyrics and librettos for enduring and beloved musicals like Singin’ in the Rain and Peter Pan, winning some of the industry’s highest honors. Comden worked with her writing partner, Adolph Green for almost fifty years on different musicals, winning their final Tony Award together for The Will Rogers Follies in 1991.

From the 1920s into the 1950s, the Communist Party USA was the most dynamic sector of the American left, and Jewish women—especially Yiddish-speaking immigrants and their American-born daughters—were a major force within the party and its affiliated organizations. Their numbers included community organizers, labor activists, students, artists and intellectuals. When the communist movement faded in the 1950s, these women carried radical traditions into new movements for social justice and international cooperation.

The story of the concubine at Gibeah, who is murdered when her husband sends her out to a crowd of Benjamites, is one of the most shocking narratives in the Bible. The rabbis do not blame the unnamed woman for her fate and the ensuing crisis, instead placing the blame at the feet of the Levite and the leaders of Israel.

The first woman, according to the biblical creation story in Genesis 2–3, Eve is perhaps the best-known female figure in the Hebrew Bible, although she never appears after the opening chapters of Genesis. Most of the negative traits associated with her, including sin, seduction, and subservience, are part of Jewish and Christian post-biblical interpretations and are not present in the Bible itself. A close look at the Eve narrative in its ancient Israelite context shows Eve to be a partner with Adam as they begin their agrarian life outside of Eden.

Eve’s character is posited to be that of the original and quintessential woman. The Midrash interprets her traits as representative of the negative aspects of femininity. Eve’s punishment for her sin is also tied to the traditional ideas of the fundamentals of womanhood – childbirth, pregnancy, and male spousal domination.

Reportedly the first American theater actress to earn a three-figure salary, Rose Eytinge was praised for her fiery, passionate performances.  Known for taking on physically demanding roles, on a performance tour stop in Washington, she was invited to the White House by President Abraham Lincoln. In 1905 she published her autobiography, Memories of Rose Eytinge, detailing her life in theater.

Mary Jacqueline Fabian was a talented soprano who toured throughout the United States in Europe in the twentieth century. Fabian’s primary legacy to the arts lies not in her performances, her versatility on stage, or her popularity behind the microphone, but rather in her organizational skills and her unswerving conviction that opera and music education are not just for the elite.

Claire Fagin was a distinguished nursing educator, scholar, and dean, as well as the first woman interim president of the University of Pennsylvania and the first female to achieve this position in any Ivy League university. Her groundbreaking studies on parents and children changed hospital practices around the country.

Marcia Falk is a poet, translator, and liturgist whose knowledge of the Bible and of Hebrew and English literature informs the feminist spiritual vision of her work. She is widely considered one of the foremothers of, and foremost contributors to, the Jewish feminist movement.

Minna Regina Falk was a historian, writer, and professor who is remembered for her work on German history. She became the first female full professor in New York University’s history department in 1963.