It was Selma Jeanne Cohen’s mission in life to make dance scholarship a respected field, taking its place with the study of the other arts both in society and, particularly, the university. As a writer, editor, and teacher, she was a leader in transforming dance history, aesthetics, and criticism into respected disciplines. Cohen founded the Society of Dance History Scholars and received the first Dance Magazine Award ever given to a dance historian.

Incorporating biblical themes and Sephardic music into her dances, Yardena Cohen helped create a uniquely Israeli artistic culture. Cohen opened her Haifa dance studio in 1933 and maintained it for some seventy years, stressing creative dance. She continued to teach well into her nineties and in 2010 was awarded the Israel Prize for Lifetime Achievement.

Fannia M. Cohn was one of the leading Jewish women trade union activists in the United States. Drawing on her Russian Jewish cultural traditions, she pioneered the development of educational programs within the International Ladies Garment Workers Union (ILGWU).

Jewish women in colonial America led varied lives, with some occupying traditional roles as mothers and wives and others remaining single. Some ran their own businesses and others worked as servants for Jews with more money. Both in and out of the synagogue, women played a crucial role in early American Jewish communities.

Betty Comden wrote lyrics and librettos for enduring and beloved musicals like Singin’ in the Rain and Peter Pan, winning some of the industry’s highest honors. Comden worked with her writing partner, Adolph Green for almost fifty years on different musicals, winning their final Tony Award together for The Will Rogers Follies in 1991.

From the 1920s into the 1950s, the Communist Party USA was the most dynamic sector of the American left, and Jewish women—especially Yiddish-speaking immigrants and their American-born daughters—were a major force within the party and its affiliated organizations. Their numbers included community organizers, labor activists, students, artists and intellectuals. When the communist movement faded in the 1950s, these women carried radical traditions into new movements for social justice and international cooperation.

The story of the concubine at Gibeah, who is murdered when her husband sends her out to a crowd of Benjamites, is one of the most shocking narratives in the Bible. The rabbis do not blame the unnamed woman for her fate and the ensuing crisis, instead placing the blame at the feet of the Levite and the leaders of Israel.

Claribel Cone was well known in her time for being a dignified and highly independent woman with two passions: medical research and collecting art and artifacts. She is immortalized in drawings by French modernists Pablo Picasso and Henri Matisse and in Gertrude Stein’s essay “Two Women.”

Molly Cone wrote for over four decades, producing more than 40 books. They include young adult novels, short story collections, middle-grade fiction, Judaica for young readers, and non-fiction on ecological and educational topics. Her work frequently incorporates bits and pieces of her family life, as well as the love of Jewish culture which so enriched her childhood.

Women have played a pivotal role in propelling the Conservative Movement to confront essential issues including Jewish education and gender equality. The Movement’s attention to issues such as the religious education of Jewish girls, the status of the agunah (deserted wife), equal participation of women in ritual, the ordination of women, and innovations in liturgy and ritual to speak to women’s experiences has helped to shape the self-definition of Conservative Judaism, and has enabled talented Jewish women to reach new heights in religious leadership.