An intelligent, determined, career woman, Sophie A. Udin was a feminist leader and activist who sought equality between the sexes, including equal pay for equal work and equal representation for women.
With its feminine as well as religious perspective, original popular style and internal coherence, Miryam Ulinover’s poetry constitutes a chapter apart in Yiddish literature.
Liudmila Ulitskaia is one of the best and most popular representatives of contemporary Russian realist prose; her works combine traditional plot and narrative techniques with an unusually candid treatment of conventionally taboo subjects such as sexuality and disease as well as previously censored topics in Russian history and religion.
One of America’s most accomplished but enigmatic pictorialists, Doris Ulmann is often mistakenly hailed as a pioneering documentary photographer.
One of the leading Jewish philanthropists of the second half of the twentieth century, Joy Ungerleider-Mayerson left an indelible mark on a broad array of Jewish cultural, scholarly, and religious endeavors and institutions.
The Union of Hebrew Women for Equal Rights in Erez Israel which led the fight for women’s suffrage until 1926, continued to work for full and equal political, legal and economic rights for women until the establishment of the State in 1948, when it merged with the WIZO organization.
The Union of Jewish Women (UJW) was the first national umbrella organization for Jewish women’s social service groups.
Jean Starr Untermeyer’s memoir, Private Collection (1965), recalls a childhood blighted by “fear of the loss of love.” The fear and the loss—and the love—shadowed her life, but they illuminated her art.
On November 23, 1909, more than twenty thousand Yiddish-speaking immigrants, mostly young women in their teens and early twenties, launched an eleven-week general strike in New York’s shirtwaist industry. Dubbed the Uprising of the 20,000, it was the largest strike by women to date in American history.
Aviva Uri has become engraved in our memory as a woman who realized her life as an artist, a gifted draftswoman whose work touched the roots of her existence and influenced an entire generation of artists. In the course of fifty years of creation she engaged only in drawing, uncompromisingly and without an iota of faking, and established her central place in the history and the language of Israeli art.