Art: Fashion and Beauty
In the twentieth century, Jewish women played a disproportionate role in the development of American consumer culture because of a combination of factors. For one, American industry became increasingly consumer-oriented, and consumer industries were comparatively open to small entrepreneurs. For another, Jewish immigrants and their children tended to display strong entrepreneurial tendencies.
“M.A.” and “The Mighty Atom,” as Mildred Albert was called, charmed the fashion world as an international fashion consultant, lecturer, columnist, and radio and television personality.
Launching a business devoted to women’s skin care in 1959 with $400 she had earned from baby-sitting, Arpel is now president and CEO of Adrien Arpel, Inc., an enterprise with approximately 500 salons across the United States and Canada.
Lauren Bacall’s 1944 Hollywood debut in To Have and Have Not catapulted this young Jewish actress into instant stardom. Costarring with her husband-to-be, Humphrey Bogart, Bacall soon became known for “The Look”—downturned head, eyes looking up, suggestive of a young woman sexually wise beyond her years. She and Bogart were one of Hollywood’s most famous couples, both on screen and off, and Bacall was famous for her characterizations of women whose strong will complemented, rather than detracted from, their sexual attraction.
The “Baghdadis,” referring to Jews coming mainly from Baghdad, Basra and Aleppo, but also from other Arabic speaking parts of the Ottoman Empire, arrived in India in the late eighteenth century and ultimately formed important diaspora trading communities in Bombay and Calcutta.
Beatrice Berler returned to school at the age of forty-five and became an award-winning translator of Spanish-language novels and history. Her work as a literacy activist in the United States earned her national recognition.
Fashion designer, publicist, entrepreneur and sales representative, Claire Bodner, with virtually no formal training in fashion or business, developed and ran her own successful fashion business, Ducaire Timely Separates, in New York City from 1941 to 1949.
Hattie Carnegie led a fashion empire that set the pace of American fashion for nearly three decades.
The dictionary definition of entrepreneur is “a person who organizes and manages any enterprise, especially a business, usually with considerable initiative and risk.” Following this definition to its logical conclusion, every pre-modern woman who managed a household was an entrepreneur since the household, at least until the seventeenth—in some places until the eighteenth—century, was an economic enterprise. For the purposes of this article, however, we have limited this broad definition of entrepreneurship, concentrating on women who specialized in commerce, selling what they themselves produced or what others produced and, in later centuries, women who were actively involved in the money economy.
Jews have lived on the Italian peninsula uninterruptedly since antiquity. During the middle ages, the center of the Jewish population of Italy shifted from the south to the north. There, during the early-modern period, having been granted charters, local Jews, joined by refugees from Europe, including waves from French, German, and Iberian lands, provided valuable services as moneylenders and merchants. Although this period saw anti-Jewish agitation by churchmen and the establishment of ghettos, new governmental bodies to supervise the Jews, and local inquisitions, the fact that Italy was not unified provided the Jews with opportunities to leave one city-state to bring their services to another that offered greater promise for more tranquility, an incentive for their hosts to ensure their continued presence.
Not just an ordinary fashion designer, Donna Karan has proved she is an extraordinary New York designer. She has stretched her role as “artist” in the high-paced designer world to include aspects of life far beyond the typical wardrobe.
Agricultural settlements based on the collective principles of the A voluntary collective community, mainly agricultural, in which there is no private wealth and which is responsible for all the needs of its members and their families.kibbutz were among the outstanding enterprises of the Zionist movement. While agricultural settlement was an important value in religious Zionism as well, those members of the religious Zionist movement who joined collective settlements constituted a unique group.
Estée Lauder’s name connotes beauty and healthy skin through her profitable cosmetics lines: Estée Lauder, Clinique, Aramis, Lauder for Men and Prescriptives. An astute businesswoman, she made a fortune manufacturing, marketing and distributing cosmetics to women around the world.
“Hitler put me in the handbag business,” Judith Leiber recalled in Enid Nemy’s book, Judith Leiber: The Artful Handbag. She was born Judith Peto in Budapest, Hungary, on January 11, 1921. Her well-to-do parents, Emil and Helen Peto, originally planned that she make a fortune in skin creams. Instead, she enrolled in the Hungarian Handbag Guild as its first woman member. Judith, her older sister Eva, and her mother survived the Nazi occupation of Budapest by staying in a building designated for Jews and then in a house set aside for Swiss citizens. Her father, an Austro-Hungarian who managed the grain department of a bank, obtained a pass for himself and forged the words “and family,” using the same typewriter used to issue the pass.
Madame d’Ora’s vibrant portraits of twentieth-century artists and intellectuals remain important testaments to European cultural life at the turn of the century and beyond. Not only did her high quality photographs of well-known figures such as Josephine Baker (1906–1975), Karl Kraus (1874–1936), Arthur Schnitzler (1862–1931) and Gustav Klimt (1862–1918) receive international acclaim, but her studios in Vienna and Paris also became fashionable meeting places for the cultural and intellectual elite. D’Ora’s achievements also paved the way for other European women’s careers in photography, an area in which many Jewish women in particular found success.
Energetic, stubborn, with an outstanding intuition for business—this was Mary Ann Cohen Magnin, the founder of I. Magnin and Company. Until her death at age ninety-four, Magnin took an active interest in the stores, which specialize in exclusive women’s clothes. Mary Ann Cohen, the daughter of a rabbi, was born in Scheveningen, Holland, in 1850. She immigrated with her parents to London, England. On October 8, 1865, in the Great Synagogue in London, she married Isaac Magnin, born in Assen, Holland, in 1842, a carver and gilder. They had eight children: Samuel, Henrietta, Joseph, Emanuel John, Victor, Lucille, Flora, and Grover.
Lane Bryant Malsin was a fashion entrepreneur and pioneer in the best sense of the word, long before Donna Karan or Liz Claiborne. She pioneered niche marketing and mail-order merchandising, as well as innovative work practices and progressive advertising.
At a time when well-to-do women dressed three or four times a day to carry on their daily social lives, Sally Milgrim designed for any and all of these occasions, always incorporating luxury and detailing into the richness of her designs.
Dallas’s legendary Neiman Marcus specialty store owes its style, its personal brand of service, and its first cache of merchandise to Carrie Marcus Neiman, the fashion authority who helped launch a retailing concept.
Mollie Parnis’s wit and fashion savvy made her clothing designs a must among many first ladies during her tenure as fashion legend.
Lucie Porges continued to design, while also imparting her immense knowledge in the Fashion Department of the New School for Social Research.
Sophie Rosenberg’s company came to be Sonia Gowns Inc. in 1935, when she entered into the business with Gloria Morgan Vanderbilt. Though her business venture with the Vanderbilt family was brief, she never left the dress design business, and within a few short years, in 1944, she went into business once again, retaining the name of Sonia Gowns Inc.
Fashion designer Nettie Rosenstein was instrumental in the popularization of the “little black dress” in America. She observed the trend in French couture and used the power of the ready-to-wear industry to popularize the look in America.