Vaudeville legend and Broadway star Sophie Tucker defied convention with her saucy comic banter and music. Tucker became famous internationally for her singing performances and delighted audiences throughout America and Europe with her rendition of “My Yiddishe Momme.” Tucker was proud of her Jewish identity and created the Sophie Tucker Foundation, which supported various actors’ guilds, hospitals, synagogues, and Israeli youth villages.

Pianist Rosalyn Tureck toured the world as a consummate interpreter of the keyboard music of Johann Sebastian Bach. Tureck made her Carnegie Hall debut in 1935 before touring in Europe, South America, Israel, Turkey, South Africa, and Australia. In 1994 she founded the Oxford-based Tureck Bach Research Institute.

The Jewish population of Turkey navigated far-reaching changes in the political, social, and geopolitical spheres in the late nineteenth and the early twentieth centuries, as the Ottoman Empire pursued reform and collapsed and the Turkish Republic that took its place imposed a process of “Turkification” on its residents. During this period, Jewish women partook in traditional customs relating to religion, family, and the home, while also accessing new opportunities in the public sphere through education and political engagement.

Malka Heifetz Tussman introduced into Yiddish poetry one of the most rigid verse forms, the triolet, and mastered another, the sonnet corona. A teacher of Yiddish language and literature in the Midwest and the West, Tussman was awarded the Itzik Manger Prize for Yiddish poetry in Tel Aviv in 1981.

Born in Poland, Miriam Ulinover was one of the great Yiddish poets of the early twentieth century. Through her poems, she wove traditional Jewish life in the shtetl into a mythical vision of Jewish life, tradition, childhood, and identity.

Doris May Ulmann was a photographer who elevated photography to a fine art form, as she captured celebrities of her day, doctors, black plantation workers, and the rural poor of Appalachia. Born in New York in 1882, Ulman rose to become a prominent photographer of all aspects of American life and is credited with producing the most extensive documentation of southern plantation life in her work.

Joy Ungerleider-Mayerson rescued the faltering Jewish Museum in New York. She shifted the museum’s focus from avant-garde art back to Judaica, launched exhibitions of art rescued from the Holocaust, and restored the struggling institution’s financial stability. She also created the Dorot Foundaiton, launching some of the finest non-denominational Jewish study programs worldwide.

Poet Jean Starr Untermeyer’s work was first influenced by her connections with writers Sara Teasdale, Amy Lowell, Carl Sandburg, and Robert Frost. Through her many volumes of published poetry and translations, Untermeyer explored her own personal tragedies and defended women’s right to use personal experience in their art.

Among art lovers in Israel and in the inner circles of artists, Aviva Uri is considered a legend who shaped generations of artists in Israel. Born in Safed, Uri was known for her abstract scribbles that expressed anxiety and distress, as well as her later depictions of mourning, death, and destruction. In 1952, she received the Dizengoff Prize and in 1957 she exhibited her work at the Tel Aviv Museum. 

In 1990 alone, advice columnist “Dear Abby” and her staff received over fifty-five thousand letters from men and women of all ages, classes, nationalities, sexual orientations, and religions. Born Pauline Friedman, Van Buren was best known for the witty, commonsense advice she gave hundreds of millions of readers.

A pioneer in the field of art film programming and film archiving in Israel, Lia van Leer was the founder of the Haifa Cinematheque, the Jerusalem Cinematheque, the Israel Film Archive, and the Jerusalem Film Festival. As a result of her work, film in Israel is seen as an expression of culture and art and is funded by government agencies.

Rahel Levin Varnhagen was the first intellectual Jewish woman in German history who established herself as an independent thinker. Her way of writing was dialogical; she wrote to and together with her addressees.

In the biblical Book of Esther, Vashti is wife of the king of Persia who refuses his request to appear before the royal guests at a banquet. Her episode introduces several themes that occur throughout the book, and she sets in motion the rest of story’s events when her refusal leads to her being deposed and replaced as queen by Esther.

Jewish women in vaudeville helped to cultivate a unique American Jewish identity. Headliners Sophie Tucker, Belle Baker, and Fanny Brice were prominent, as were performers such as Nan Halperin and Nora Bayes. Molly Picon was a star of Yiddish theater, and Sarah Bernhardt a star of the stage. The reign of Jewish female vaudevillians ended in the 1930s, but their voices continue to be heard.