Marlee Matlin’s Oscar-winning film debut in 1986’s Children of a Lesser God made history on multiple fronts. At 21, not only was Matlin the youngest-ever Best Actress winner, she was also the first Deaf actress to be recognized by the Academy. Her subsequent career in film and television, as an author, and as an activist for the Deaf community, has paved the way for inclusive, nuanced storytelling that showcases Deaf culture to hearing audiences.

Ronit Elkabetz (1963-2016) was one of Israeli cinema's leading actors. Coming from the northern periphery, she played in some of the major Israeli films of the last decades. She is particularly remembered for the trilogy she directed with her brother Shlomi Elkabetz: To Take a Wife (2004), The Seven Days (2009), and Gett: The Trial of Viviane Amsalem (2013), all addressing the issue of the oppression of Mizrahi women in the name of the Jewish religion.

Amy Schumer is one of America’s most loved and successful comedians. Her career is built on a true riches-to-rags-to-riches story and is firmly centered on growing up in an unconventional Jewish upbringing.

Jewish women made overwhelming contributions to the creation of the field of Screendance.  Maya Deren, Amy Greenfield, Anna Halprin, Yvonne Rainer, Meredith Monk, and others have created a legacy of socially conscious dance for the screen that collectively exhibits and performs principles of Jewish ritual and practice. Many of these artists share a focus on social justice and a collective approach to what might be called a feminist Jewish art form.

In the early twenty-first century, Haredi cinema began to flourish, first in Israel and then in the United States and elsewhere. Haredi women have made films that focus on relationships among women, that are often much more aesthetically elaborate than Haredi men’s films, and that address issues that until recently were considered taboo.

Rama Burshtein’s films are among the most important created by a Haredi woman. Her first commercial film was shown exclusively to Haredi women, but Burshtein found the conventions of Haredi cinema poorly suited to her artistic aspirations, and her later films were aimed at the nonreligious world.

Award-winning cultural anthropologist Ruth Behar has conducted groundbreaking research in Spain, Mexico, and her native Cuba. Her innovations in cultural representation have transformed ethnographic writing and reached a broad, non-academic audience through her film, poetry, personal essays, and young adult fiction.

Aída Bortnik was an Argentine journalist, dramaturge, and screenwriter who wrote the first Argentine screenplay nominated for an Academy Award (“The Truce,” 1974), an award she later won for best foreign film in 1986 (“The Official Story”). Bortnik was also the first Argentine to pen a screenplay that addressed the military dictatorship (1976-1983) and the first Latin American admitted as a permanent member of the Academy of Motion Picture Arts and Sciences.

Ana María Shua is an Argentine writer and screen writer who is internationally known as a specialist in short stories, in particular micro fiction tales, which are stories of just two or three lines of extension. She is well known in the Hispanic world as the Queen of the Microstory and employs her writing to narrate various aspects of the Jewish experience.

Nina Totenberg has broken important stories on the United States Supreme Court during more than four decades of covering legal affairs for National Public Radio. She helped bring to public attention the previously hidden issue of sexual harassment during the controversial confirmation hearing of Justice Clarence Thomas and has received numerous accolades as a path-breaker in the male-dominated world of Washington journalism.