While hard at work here at the Archive, I stumbled upon some interviews that ended up on the cutting room floor during production of our prizewinning documentary “Making Trouble”. Take a look at a few clips that feature fabulous Jewish women in entertainment talking about fabulous Jewish women in entertainment.

See Tovah Feldshuh speak about the ahead of her time Sophie Tucker, Alex Borstein explore Gilda Radner's beauty,  Adrienne Cooper's take on Molly Picon gender roles, and Wendy Wasserstein's thoughts Jewish entertainers on and off the stage. 

In the one instant of silence between the curtain and the applause I remember feeling alive. I remember feeling like my heart had been ripped out of my chest, bounced down a basketball court, and thrown through the hoop for the winning shot. Then we (the audience) erupted in cheers. I was elated, proud, and profoundly humbled.

For the past year, I’ve enjoyed paying regular visits to MAKERS.com, a growing online collection of video interviews with an impressive array of women who have made a mark on the last half century of American history.

The Guilt Trip begins by introducing Andy Brewster (Seth Rogen), a thirty— something inventor about to embark on a road trip to sell his innovative organic cleaning product. Andy makes a quick stop at his mom’s (Barbara Streisand) house, and spontaneously invites her to come along for the ride. Their journey cross-country turns into an exploration of the ties that bind (Jewish) mother and son.

Ever wanted to learn more about an amazing, captivating, female pioneer only to find the story undocumented, or worse, simply buried? That's what happened to me when I discovered the work of Jewish American photographer Helen Levitt. I am making a film to fill that gaping hole. 95 Lives uncovers Helen Levitt's legendary career documenting NYC streets for 70 years and transforming American street photography forever. Born in 1913 in Brooklyn to Jewish Russian parents, Levitt died at aged 95 with an outpouring of obituaries celebrating her art while noting her disdain for fame.

Yael Kohen’s new book, We Killed: The Rise of Women in American Comedy, has many revealing tales about how change happens. But one stands out for me: in 1966, the actress Marlo Thomas approached the head of ABC-TV programming with a novel idea. She wanted “to play the person with the problem, not the person who assisted the person with the problem.” She recalled:

I didn’t want to be the wife of somebody, or the secretary of somebody, or the daughter of somebody…”Have you ever considered the girl to be the somebody?” And he said, “Would anybody watch a show like that?” I said, “I think they would.” And so I gave him a copy of The Feminine Mystique, and he read it and kind of became convinced.

For today’s young feminists, the name Phyllis Schlafly may be totally unfamiliar; if anything, it triggers a distant memory of a footnote in an AP US History textbook. Those activists who lived and fought during the Second Wave are, however, all too familiar with the uber-conservative activist.

We are a little more than six months from the end of the world (!) Or from the end of the world as we know it—December 21, 2012.

It was fitting that Gloria was born on Independence Day. She was a firecracker: sharp, witty, energetic.

Ever dream of making a film about someone you wanted the world to know more about?

One hundred and one years ago today, Sophie Tucker sang those words from “Some of These Days” onto a four minute cylinder recording device. It became her signature song, and toward the end of her career she guessed that she had sung it over 45,000 times.

Angelina Jolie (not a Jewess but a definite do-gooder) visited the United States Holocaust Memorial Museum last week to premiere In the Land of Blood and Honey, a film she wrote, directed, and co-produced.

“[Debbie Friedman] emphasized the value of every voice and the power of song to help us express ourselves and become our best selves. As she wrote for JWA's online exhibit Jewish Women and the Feminist Revolution: 'The more our voices are heard in song, the more we become our lyrics, our prayers, and our convictions.' The woman who wrote the song that asks God to 'help us find the courage to make our lives a blessing' herself modeled for us what that looks like.”—Judith Rosenbaum.
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