Devar ha’Po’elet, the magazine of the women worker’s movement, was founded in 1934 by Rahel Katznelson-Shazar, a prominent activist of the Council of Women Workers. The magazine was intended as an educational tool, through which the movement aimed to communicate the essential characteristics of the new Hebrew woman.

Esther Dischereit, a German-Jewish writer living in Berlin, speaks for the second and third generation of children of Holocaust survivors. Her prolific production covers all genres, including prose, poetry, sound installations, and concept art. She uses her many talents to fight anti-semitism and racism and to give a voice to the persecuted and forgotten.

Die Deborah was an influential American Jewish newspaper published in German from 1855 until 1902 specifically aimed at German-Jewish middle-class women. The paper’s writers and editors viewed women in high esteem as keepers of moral and spiritual values, and toward the turn of the century they came to support the values of the American feminist movement.

Living a privileged existence in the wealthiest circles of German cultural society, Ida Dehmel became involved in circles of patronage of modern art that raised awareness for feminist issues, including women’s suffrage and equality for women’s artists’ associations. In 1916 she co-founded the Women’s Society for the Advancement of German Art.

Maya Deren pursued an ambitious career as a writer, publishing poetry, essays, and newspaper articles. She was also one of the most important avant-garde filmmakers of her time for her use of experimental editing techniques and her fascination with ecstatic religious dances. In 1946 she used a Guggenheim Fellowship to photograph Haitian dance.

Carrie Dreyfuss Davidson became an important voice for women in the Conservative Movement as a founder of United Synagogue’s Women’s League and founding editor of its journal Outlook. Davidson exemplified the often-competing paradigms of Jewish homemaker and accomplished writer and community leader.

Lili Darvas was an internationally acclaimed actress, known on the stage and screen in Europe and the United States. Born in Budapest in 1902, as an actress Darvas combined the fetching qualities of an ingenue with the depth and mature allure of an experienced woman of the world, which led to her rise to fame in New York, Germany, and Hungary. 

Jewish immigrants to the New World brought with them their ritual and celebratory Jewish dances, but these traditional forms of Jewish dance waned in the United States. Working-class and poor Jewish immigrants parents sought out culture and education in the arts for their children, often as a vehicle for assimilation. Jewish women were particularly attracted to the field of modern dance.

Lucille Corcos was celebrated as one of the foremost “modern primitivist” painters in America, creating revealing composite urban scenes. Corcos was widely praised for her lack of self-consciousness and complete freedom of expression, and she exhibited works throughout the United States and Europe.

Molly Cone wrote for over four decades, producing more than 40 books. They include young adult novels, short story collections, middle-grade fiction, Judaica for young readers, and non-fiction on ecological and educational topics. Her work frequently incorporates bits and pieces of her family life, as well as the love of Jewish culture which so enriched her childhood.

It was Selma Jeanne Cohen’s mission in life to make dance scholarship a respected field, taking its place with the study of the other arts both in society and, particularly, the university. As a writer, editor, and teacher, she was a leader in transforming dance history, aesthetics, and criticism into respected disciplines. Cohen founded the Society of Dance History Scholars and received the first Dance Magazine Award ever given to a dance historian.

When Barbara Cohen died, she left behind an exceptional body of children’s literature. Cohen was adventurous, seldom repeating herself, always trying new ideas, settings and themes. In her books, she confronted taboo subjects of assimilation, racism, and cancer with both sensitivity and remarkable honesty.

Zaharirah Charifai was an influential Israeli actress who became nationally known in the role of Grusha in Brecht’s The Caucasian Chalk Circle, and from then on performed in dozens of plays at the Cameri and the Haifa Municipal Theater. In addition to stage acting, Charifai appeared in three successful solo performances, on the radio, and in several films.

Journalist and lecturer Aviva Cantor is the author of the theoretical work Jewish Women, Jewish Men: The Legacy of Patriarchy in Jewish Life, a passionately analytical synthesis of feminism, Judaism, Zionism, Socialism, animal rights and environmentalism, as well as of the landmark The Egalitarian Hagada. Cantor was founding editor of the Jewish Liberation Journal. She also originated the idea and was a founder and editor of Lilith, the independent Jewish feminist magazine.

Suzanne Brøgger is a Danish journalist, cultural critic, author, and essayist. With more than twenty books to her name, Brøgger has received widespread acclaim for her novels, essays, anthologies, poems, and plays.

One of America’s great clowns, Fanny Brice built her career on a Yiddish accent and a flair for zany parody. Brice earned a reputation as a vaudeville star before creating some of her best-loved comedic personae for radio.

Bridges: A Jewish Feminist Journal emerged in the overlap of late twentieth-century feminism and the Jewish and connected Jewish feminist writers, activists, and artists with each other, and with various public forums, for more than two decades. As a project made by, for, and about Jewish feminists, it became a space of creative collaboration, and a place to showcase late twentieth-century Jewish feminist cultural projection.