Marie Trommer was an early twentieth-century writer, poet, artist, art critic, and contributor to American Jewish newspapers. After attending the Cooper Union Art School, Trommer became known for her contributions to Jewish newspapers, her poetry, and her oil and watercolor paintings. She was a member of the Creative Writers Group, Society of Independent Artists, and Art Alliance of America. 

Vaudeville legend and Broadway star Sophie Tucker defied convention with her saucy comic banter and music. Tucker became famous internationally for her singing performances and delighted audiences throughout America and Europe with her rendition of “My Yiddishe Momme.” Tucker was proud of her Jewish identity and created the Sophie Tucker Foundation, which supported various actors’ guilds, hospitals, synagogues, and Israeli youth villages.

Pianist Rosalyn Tureck toured the world as a consummate interpreter of the keyboard music of Johann Sebastian Bach. Tureck made her Carnegie Hall debut in 1935 before touring in Europe, South America, Israel, Turkey, South Africa, and Australia. In 1994 she founded the Oxford-based Tureck Bach Research Institute.

The Jewish population of Turkey navigated far-reaching changes in the political, social, and geopolitical spheres in the late nineteenth and the early twentieth centuries, as the Ottoman Empire pursued reform and collapsed and the Turkish Republic that took its place imposed a process of “Turkification” on its residents. During this period, Jewish women partook in traditional customs relating to religion, family, and the home, while also accessing new opportunities in the public sphere through education and political engagement.

Malka Heifetz Tussman introduced into Yiddish poetry one of the most rigid verse forms, the triolet, and mastered another, the sonnet corona. A teacher of Yiddish language and literature in the Midwest and the West, Tussman was awarded the Itzik Manger Prize for Yiddish poetry in Tel Aviv in 1981.

Born in Poland, Miriam Ulinover was one of the great Yiddish poets of the early twentieth century. Through her poems, she wove traditional Jewish life in the shtetl into a mythical vision of Jewish life, tradition, childhood, and identity.

Joy Ungerleider-Mayerson rescued the faltering Jewish Museum in New York. She shifted the museum’s focus from avant-garde art back to Judaica, launched exhibitions of art rescued from the Holocaust, and restored the struggling institution’s financial stability. She also created the Dorot Foundaiton, launching some of the finest non-denominational Jewish study programs worldwide.

Poet Jean Starr Untermeyer’s work was first influenced by her connections with writers Sara Teasdale, Amy Lowell, Carl Sandburg, and Robert Frost. Through her many volumes of published poetry and translations, Untermeyer explored her own personal tragedies and defended women’s right to use personal experience in their art.

Rahel Levin Varnhagen was the first intellectual Jewish woman in German history who established herself as an independent thinker. Her way of writing was dialogical; she wrote to and together with her addressees.

Salka Viertel was an influential actress, writer, and organizer of Jewish European immigrants in Hollywood. Viertel co-wrote screenplays for several Greta Garbo films. Her Hollywood salon welcomed émigrés such as Thomas and Heinrich Mann, Bertolt Brecht, Fred Zinnemann, Arnold Schoenberg, and Reinhardt.

Miriam Dworkin Waddington was a distinguished and pioneering Canadian poet and literary critic. Her original poetry included many explicit references to her Jewish secular outlook, and other poems were infused with a commitment to social justice that drew on that same source. Impatient with the Canadian “canon” of her time, she introduced to wider audiences the works of A.M. Klein and poets writing in Yiddish with her literary criticism and her translations.

Regarded by many of her friends and colleagues as the most important among the young Israeli poets of the 1960s, Yona Wallach has had a profound effect on Israel’s cultural life ever since her works began to appear in periodicals in the early 1960s, despite her early death from cancer in 1985.

Anna Strunsky Walling was a Russian-born author, journalist, lecturer, and social activist. She produced several novels and memoirs and was involved in a number of political organizations, including the Socialist Labor Party and the National Association for the Advancement of Colored People, which she and her husband helped found.

In 1989, Wendy Wasserstein won the Pulitzer Prize for The Heidi Chronicles and was the first woman playwright to win a Tony Award. After graduating from the MFA program at the Yale School of Drama, in which she was the only woman, Wasserstein wrote countless dramas, three musicals, various comedy skits for television, and a series of essays published in the New Yorker, Esquire, and Harper’s Bazaar.