Sara Levi-Tanai was the founder, choreographer, and artistic director of the Inbal Dance Theater. With an original style, she established a unique dance theater that combined the East and West and the early history of the Nation of Israel with the present, as well as creating a new language of movement in the world of dance that is called “the Inbal language.”

From the silent movie era through 1960, Sonya Levien crafted over seventy films ranging from the 1939 Hunchback of Notre Dame to the screen adaptation of Oklahoma! Levien was one of Hollywood’s highest-paid and most highly sought screenwriters, known for her ability to adapt any story quickly and to fix an ailing script.

Rosina Lhévinne was one the most noted pianists of the last century, though she dedicated the majority of her career to teaching and supporting the career of her husband. One of the last artists in the nineteenth-century Russian pianistic tradition, she taught some of the most famous musicians of the 20th century at The Julliard School in New York.

Estelle Liebling was a talented opera singer who performed at the Dresden Royal Opera House and the Metropolitan Opera and toured through the United States and Europe. She trained popular and Metropolitan Opera singers at her studio in New York for fifty years and wrote books on vocal training and compositions for piano and voice.

Both through her poetry and her teaching, Myra Cohn Livingston inspired children to explore the music of language. She eventually wrote more than twenty collections of as well as several books on writing poetry, serving as an inspiration for students to enjoy poetry.

Judith Malina was an actress, director, and producer who dedicated her life to creating avant-garde, politically charged theater works, and activism. She co-founded the experimental Living Theatre company with her husband; was involved in the antiwar movement, Women Strike for Peace, and the Industrial Workers of the World; and won many honors and awards for her acting and directing work. 

Dame Alicia Markova, Britain’s first and the first Jewish prima ballerina, combined amazing technique and personal strength with tremendous artistry to become one of the finest classical dancers of her generation. Through her touring and early recognition of the power of mass media, she was also one of ballet’s greatest ambassadors in the mid-twentieth century. Markova extended her legacy through choreography, teaching, and commitment to coaching the next generation of dancers.