Abigail, the intelligent and beautiful wife of the wealthy but boorish Nabal, intervenes to prevent David from committing a bloodbath and eventually becomes one of David’s wives (1 Samuel 25). She prophesies that David will establish a dynasty, but neither she nor her son play a role in future struggles over rule or succession.

Abishag’s story in the Bible shows her strength and independence, as she insists David marry her and rebukes his answer when he refuses. Some midrashim use her story to show David’s tenacity in his old age, but Abishag is not explicitly interpreted as wicked or deceitful.

Adah was one of Lamech’s wives whose legacy was observable not only in her own children but also in her influence on her fellow Israelites.

Helen Goldmark Adler is remembered for her philanthropic achievements and her marriage to Felix Adler, philosopher and founder of the Ethical Culture Movement. In turn-of-the-century New York, Adler penned articles, established a free kindergarten for children with working-class parents, and founded an organization focused on the science of child-rearing.

Rachel Adler is unquestionably among the leading constructive Jewish theologians, translators, and liturgists of the modern era. One of the first theologians and ethicists to integrate feminist perspectives and concerns into the interpretation of Jewish texts and the renewal of Jewish law and ethics, Adler is the award-winning author of Engendering Judaism.

Rabbi Akiva was an important interpreter and teacher of Jewish laws of the Tannaitic period (ca. first-third century C.E.). He was particularly groundbreaking in his teachings regarding women’s standing and sexual and marital relations, recognizing women as deserving of human dignity.

Israeli writer, actress, and filmmaker Gila Almagor’s acclaimed 1988 autobiographical film Summer of Aviya and its sequel Under the Domin Tree bought attention to post-Holocaust trauma and depression, which were often scorned by Israeli society. Almagor is also a founder of the Israeli Union of Performing Artists, the Tel Aviv International Film Festival, and the Gila Almagor Wishes Foundation.

Israeli women artists, second generation descendants of Holocaust survivors, have expressed in their art the grim atmosphere of absence, emptiness, and loss they absorbed. Their individual responses to the Holocaust differ in intensity and power.

Jewish women assimilating into a changing American society across the twentieth century navigated often conflicting gender roles. As they strove to achieve upward social mobility, they adapted Jewish assumptions of what women, especially married women, should do to accommodate American norms for middle class women. Their collective accomplishments registered in political activism, organizational creativity, strong support for feminism, religious innovation, and educational achievement in the face of antisemitism, stereotypes, and denigration.

Ba’alei Ha-Nefesh is a halakhic work written by Rabbi Abraham ben David (Rabad) of Posquieres, a Provençal rabbi, in 1180. It focuses on the laws of behavior during niddah (menstruation), and lays out Rabad’s theology of self-control, sexuality, and the role of Jewish women.

Babatha, daughter of Shim’on, a Jewish landowner who lived in Roman Arabia, owned a document archive found in a cave in the Judaean desert. Babatha’s archive is an extremely important resource for many issues, especially on the question of Jewish women’s legal position in Greco-Roman Palestine during the second century CE.

Miriam Baratz was a founding member of Deganyah Aleph, the first socialist Zionist farming commune in pre-state Israel. She advocated for communal childcare and education, and for a cooperative and egalitarian economic structure. The gender paradigm she helped establish at Deganyah set a precedent of egalitarianism for the entire kibbutz movement.

Devorah Baron is one of the few Hebrew women prose writers in the first half of the twentieth century to gain critical acclaim in her lifetime. She wrote primarily about Jewish women’s lives, focusing on the challenges women faced in a society that did not value them equally. Her work was in dialogue with European writers, including Chekhov and Flaubert, and with Hebrew modernist writer S. Y. Agnon.