As a young Jewish woman in contemporary society, I tend to use the word "pluralism" a lot, in a fairly abstract way. I sometimes struggle to explain this concept despite it meaning so much to me, but I have found no example better than Chaim Potok's iconic young adult novel, The Chosen. When I first read The Chosen in tenth grade, it brought on a series of mixed emotions. I was beginning the journey toward understanding my religious and secular identities, and simultaneously saw so much and so little of myself in the protagonists, Reuven and Danny.

My brother-in-law, Alex, is incredibly smart. He’s a Harvard-educated banker in his early thirties, and he genuinely loves to debate. His style of debate isn’t to make other people feel stupid, but it’s clear that he loves feeling like he has changed someone’s mind or broadened their perspective. I’ve realized, through many conversations with him, that this is something with which I struggle.

Bildungsroman: the German word for a coming-of-age novel. A prime example of this? Judy Blume's Are You There, G-d? It's Me, Margaret. Beloved by angsty teens and middle-aged women’s book clubs alike, Judy Blume seems to have completely mastered the art of coming of age in fiction.

Last year, my AP English class read the short prose poem “Mother” by Grace Paley. What struck me the most was its mundane nature. This is a characteristic of nearly all of Paley’s work; she wrote in detail about the daily lives of women—a topic that, when she was writing in the 1940’s, was viewed as tangential to the “real” work of male authors writing bestsellers like The Catcher in the Rye (J.D. Salinger) or The Outsiders (S.E. Hinton). 

Carole King has been a constant source of inspiration and fascination to me since I first listened to “You’ve Got a Friend” in second grade and was entranced by the live performance of Beautiful in Los Angeles. As a young Jewish girl hoping to one day pursue music journalism, I have learned many lessons from King as both an artist and as a strong, independent female.

Emma Lazarus was a 19th century Jewish American writer whose poem “The New Colossus,” engraved on Lady Liberty’s platform, embraces immigrants as they enter the United States. Though she was from an upper class family, Lazarus defied societal restrictions and norms and dared others to do the same.