Vera Fonaroff was an extraordinary violinist and member of the all-female Olive Mead Quartet. Fonaroff immigrated to America from Kiev at age seven and debuted as a soloist with the Metropolitan Opera House Orchestra at age nine. She toured the world performing with the Olive Mead Quartet and as a soloist and eventually became the director of the violin at the New York Institute of Musical Art (now the Juilliard School).

Humorous composer Sylvia Fine created unique and influential music in her partnership with Danny Kaye. Fine wrote over 100 songs for Kaye to perform, including the music for The Secret Life of Walter Mitty, The Inspector General, and On the Riviera. She taught musical comedy at the University of Southern California and Yale and made philanthropic contributions to universities and Jewish organizations.

Mary Jacqueline Fabian was a talented soprano who toured throughout the United States in Europe in the twentieth century. Fabian’s primary legacy to the arts lies not in her performances, her versatility on stage, or her popularity behind the microphone, but rather in her organizational skills and her unswerving conviction that opera and music education are not just for the elite.

The first American girl to publicly celebrate a bat mitzvah, Judith Kaplan Eisenstein went on to become a Jewish educator, composer, and musicologist. Her accomplishments included studying at the school that would later become Julliard, teaching at the Jewish Theological Seminary Teacher’s Institute, and writing a songbook for children.

Louise Dresser was a celebrated singer in vaudeville and musical comedy, as well as a star in early motion pictures. Known largely for her rendition of Paul Dresser’s song “My Gal Sal,” she also sang his “On the Banks of the Wabash.” After vaudeville, Louise Dresser found success on Broadway, before moving to Hollywood to star in films opposite Will Rogers. 

A determined and talented performer, Selina Dolaro raised four children alone while pursuing an illustrious acting and singing career in late nineteenth-century England and America. Dolaro performed in various London operas, most notably as the title role in the first English version of Carmen. She made her American debut as Carmen in 1879.

Opera in Israel owes its creation primarily to singer, director, producer, and impresario Edis De Philippe. De Philippe made her New York opera debut in 1935 before performing with the Paris Opera and touring Europe and South America. She then founded the Israel National Opera Company in 1947 and ran it until her death in 1979.

Ruby Daniel’s 1995 book, Ruby of Cochin: An Indian Jewish Woman Remembers, combines recounting of historical events with engaging storytelling. The book endures as a significant contribution to Jewish history and ethnography.

Shoshana Damari’s lush voice and her fusion of Eastern and Western musical aesthetics made her the voice of a generation in Israeli music, recording dozens of albums in her career. She made several movies, was known for her song “Kalaniyot” (Poppies), and was awarded the Israel Prize in 1988 for her contributions to Israeli music and culture.

Betty Comden wrote lyrics and librettos for enduring and beloved musicals like Singin’ in the Rain and Peter Pan, winning some of the industry’s highest honors. Comden worked with her writing partner, Adolph Green for almost fifty years on different musicals, winning their final Tony Award together for The Will Rogers Follies in 1991.

For many centuries, Cochin Jewish women have sung Jewish songs, both in Hebrew and in the Malayalam language of Kerala, their ancient homeland on the tropical southwest coast of India. Kerala Jews are unusual among halakhically observant communities in the complex intertwining of female and male knowledge and performance throughout their musical repertoire.

Women’s vocal leadership in synagogue music began with zogerin (women prayer leaders) in the women’s gallery. In the nineteenth century, women began participating in mixed choral and community singing, and some opera singers acted as cantors in important Reform congregations. In the 1970s and 1980s, the Reform and Conservative movements began formally investing women as cantors, and today a plurality of cantors in liberal movements are women.

Claire Brook was a writer, editor, and composer whose career was most distinguished by her work in publishing. After retiring from W.W. Norton, she founded Pendragon Press, a small press focused on musicological books, with her husband and brother.

In her short life, Sophie Braslau was an extraordinary contralto and international opera sensation. After making her debut at the Metropolitan Opera in New York at age eleven, she toured the United States, Europe, and Canada and recorded many albums. She also sang at fundraisers such as the Omaha Hebrew Club campaign to raise money for Jewish war sufferers.

Brazil is home to the second largest Jewish community in South America. Jewish women played important roles in the absorption of Jewish immigrants from Europe, the Middle East, and North Africa, and also made important contributions to Brazilian intellectual and artistic life.

Blanche Bloch helped open new opportunities for women in music as both a founding member and conductor of the New York Women’s Orchestra. Bloch collaborated with her husband, Alexander Bloch, performing, writing operettas, and delivering joint concerts and music lectures. Bloch also authored two mystery novels.

Raised in Brazil, world-renowned pianist Yara Bernette began studying piano with her uncle, a major Brazilian classical musician of his day. She toured across the world and became the head of the piano program at the Hamburg Music and Performing Arts School.

Writer and artist Berthe Bénichou-Aboulker was born in Oran, French Algeria, in 1886. She published a number of collections of poems and plays. After publishing her first play in 1933, she became the first woman writer to be published in Algeria.

Nora Bayes was a star in vaudeville and musical comedy in the early twentieth century. Known for her lush singing voice and hilarious acting, Bayes was a part of the Ziegfeld Follies, the Keith vaudeville circuit, and had her own one-woman show. Bayes had  many arguments with male producers, theater administrators, and businessmen, as she often questioned the traditional role of women and asserted her independence.