When I think of William W. Cook’s virulent desire to refuse admission to all Jews at the University of Michigan ... I am comforted and emboldened by the thought of Ruth Bader Ginsburg. William W. Cook would not have liked the notorious RBG.

I’m about to start law school in another city, and I’m really excited. The only problem? I will be leaving my partner behind, so our relationship will be long-distance for three years. I’m really nervous about it.

Over the past 106 years, 48 women have been honored with the Nobel Prize. Amalie Emmy Noether, a German Jewish mathematician who is now known as the “mother of abstract algebra,” is not one of them.

I thought Omi’s story should have been collected because I thought I knew what her story was. I had created an easy narrative that both mythologized and sanctified her. Unknowingly, I forged an account of Omi as a “perfect woman” who spent her days working and her nights taking care of her son.

I am not, by an stretch of the imagination, a princess, dripping in designer merch after swiping my dad’s credit card. My mom grew up in an a working-class home with four sisters and was raised almost solely by her mother.

“What does it take for a woman to not be defeated when the whole world is telling her to sit down and mind her manners?” This is the question that Rachel Kadish, author of the 2017 National Jewish Book Award-winning historical novel of The Weight of Ink, wanted to answer when she sat down twelve years ago to write this ambitious and mesmerizing novel.

As an aspiring oral historian, I’ve always gotten chills when listening to recorded interviews. I love the interviewer’s inviting questions, the way the interviewee may leap into a narrative, the chance for the listener to peer into the interviewee’s past, and the powerful, sometimes nostalgic, recollection of a story.

A friend I haven’t seen for over a year is planning to visit my city and stay for two weeks. Do I have an obligation to host her?

JWA’s June Book Club pick isThe Fortunate Ones, a debut novel by author Ellen Umansky that tells the story of two women, one an older Holocaust survivor, the other a young woman living in Los Angeles, and the stolen painting that binds them together. We talked to Umansky about intergenerational friendship, becoming a writer, and the meaning of the word “fortunate.”

I am a student on a college campus and I too fight for women's issues. What advice do you have to make my work more effective?