Shifting the Gaze: Painting and Feminism, an current exhibition at The Jewish Museum in New York, explores the influence of feminism on Jewish painting from the 1960s to the present.

I am, among many defining facets, a woman and a maker of tallit. A few days ago, I was gathering materials to write about the choices we make--to pray, to wear a beautiful prayer shawl, to leyn from the Torah, to actively weave ritual into our busy lives.

Water has no color, and yet it contains the rainbow. Transparent and reflective, water reveals the myriad shades of cloud, sky, and light; the rosy glow of dawn, the orange burst of sunset.

The soul has no color, and yet it imbibes the flavors, melodies, and histories of humanity. Intangible and sacred, the soul is never generic; each one tells its own story and sings its own song.

I just came home from a trip to my local suburban mall with two friends from elementary school. The mall is looking good – the walls are an upscale beige accented with stained wood, and new stores like Coach and BCBG emphasize that those who shop here must have ample money to spend. The mall is clearly marked as Jewish, too, with shoppers wearing long skirts, kippas, or less modest clothing adorned with Jewish symbols and summer camp logos.

Earlier this week, a post on The Sisterhood blog (with whom JWA regularly cross-posts) publicized a call from Women of the Wall for photographs of women with Torahs as part of a solidarity movement with WOW, who have been subject to harassment and arrest over the past several months in their attempts to hold egalitarian Rosh Chodesh services at Robinson’s Arch in Jerusalem.

Barbie was created in 1959 by Jewish business woman Ruth Handler. She was an Amazonian creation: a blonde-haired, blue-eyed, big-busted American beauty. She loved to drive pink convertibles; her wardrobe and shape-shifting abilities were astonishing. By the 80s, she was highly multicultural and had an endless variety of career paths open to her, from model to mad professor. Nothing is off-limits to ever trail-blazing Barbie, not even tefillin or a burqa.

Yesterday I had the pleasure of speaking with Hilary Price about the upcoming 15th anniversary of the national syndication of her popular comic strip, Rhymes with Orange. With its debut, Hilary Price became the youngest woman ever to have a nationally-syndicated cartoon strip at age 25.

The following is a piece by Ethan Grossman, a high school student at the Weber School in Atlanta. As part of a project called AdDRESSING Women's Lives, created by Barbara Rosenblit and Sheila Miller, Ethan interviewed Millie Rotter Kinbar and documented her oral history in a multi-media work of art, revealing her character and life experiences through the metaphor of a dress.

The New York Times recently identified androgyny as the "it" fashion trend.  It seemed to begin with "skinny jeans" -- skin-tight pants quickly adopted by fashion-forward men and women.  Unisex hoodies, coats, footwear, t-shirts, and hairstyles were soon to follow.  While women dressing in masculine clothing is old hat (the tomboy), the idea of heterosexual men dressing in feminine clothing is new, edgy, and raising eyebrows as well as questions about traditional gender norms.  

The buzz about Good Hair, Chris Rock's new documentary about Black hair, has got me thinking about "Jewish hair": what it is, what it means, and where I -- a straight-haired woman -- fit into this curious piece of Jewish identity. 

Today would have been the 102 birthday of Frida Kahlo, the painter famous for her striking self-portraits and her marriage to Diego Rivera (not to mention her impressive eyebrows). Though she came to be known for her representations of Mexican life and was, in fact, referred to as La Mexicana -- the quintessential Mexican woman -- her work often explored issues of identity and its hybridity, informed by her own experience as the daughter of a German Jewish immigrant father and a Mexican Catholic mother.