Woody Allen’s name is synonymous with New York City Jewry and avant-garde art; he is the poster boy for the guilt ridden, philosophically burdened, emotionally stunted kvetcher that we are all familiar with. Allen’s characters are recognizable—carrying pieces of our relatives, our community members, and ourselves. Annie Hall, Crimes and Misdemeanors, Manhattan, and Fading Gigolo, to name a few, place a strong emphasis on Jewish culture and idiosyncrasies, connecting to both a broad, general audience, that responds to the novelty, and to the specific tastes of Jews.