Kadya Molodowsky was a major figure in the Yiddish literary scene in Warsaw (from the 1920s through 1935) and in New York (from 1935 until her death in 1975). She published extensively in many genres, including poetry, fiction, drama, and essays, and founded and edited two journals. Recurrent themes in her work include the lives of Jewish women and girls Jewish tradition in the face of modernity, Israel, and the Holocaust.

Annie Nathan Meyer promoted women’s higher education and founded Barnard College, New York’s first liberal arts college for women. She also chronicled women’s work, dramatized women’s status in plays, novels, and short stories, and raised funds for Jewish and black students to attend Barnard.

Alice Davis Menken was an influential social reformer whose many published works had a notable impact on the field of penology. She became interested in delinquency among young female Jewish immigrants while working at a settlement house on the Lower East Side. Menken proceeded to pioneer the argument that therapy, not punishment, is the most effective treatment for young delinquents.

Vladka Meed was an underground courier who smuggled weapons to the Jewish Fighting Organization inside the Warsaw Ghetto while passing as a Christian outside its walls. In 1948 she published a memoir about her experiences, On Both Sides of the Wall. Meed received many awards for her work in Holocaust education and memorialization.

Judith Malina was an actress, director, and producer who dedicated her life to creating avant-garde, politically charged theater works, and activism. She co-founded the experimental Living Theatre company with her husband; was involved in the antiwar movement, Women Strike for Peace, and the Industrial Workers of the World; and won many honors and awards for her acting and directing work. 

Distinguished historian Paula Hyman was engaged deeply in Jewish feminism and wrote extensively on the history of Jewish women in an effort to integrate their experience into the Jewish historical narrative. A role model for many, she challenged sacrosanct beliefs and stereotypes with vigor and knowledge and left behind a myriad of scholarly contributions and a profound vision for Jewish women.

“The chief editor, fund raiser, cheerleader and occasional staff photographer” is the way the Chronicle of Higher Education described Florence Howe’s work at the Feminist Press. She made the publishing company her life’s work, and her contributions to the field of women’s studies as scholar, editor, and publisher are unparalleled.

Frances Horwich was loved by parents and children alike for her educational television show, Ding Dong School, which taught millions of children how to finger paint, grow plants, and do craft projects with household objects such as pipe cleaners and paper plates. She ended up writing 27 Ding Dong School books and two books for parents, as well as winning several awards over her career.

Elizabeth Holtzman pursued a public career epitomizing some of the most important trends in postwar American and Jewish life. In her successive roles as a congresswoman, Brooklyn district attorney, comptroller of New York City, and political commentator, she emerged as an effective and activist public servant, a forceful campaigner, and a champion of liberal and feminist causes.

Controversial both during and after her life, Lillian Hellman was one of the leading women of letters of mid-century America and a pioneer woman playwright. Hellman displayed courage not only in writing powerful plays like The Children’s Hour but also in her public refusal to name colleagues to the House Un-American Activities Committee.

Reference to Hagar appears in a wisdom poem (Bar 3:9–4:4) that is itself part of an apocryphal letter written sometime between 200 to 60 B.C.E. to the priests and people of Jerusalem from Baruch, the scribe and close friend of Jeremiah (Jeremiah 36).

Rajzel Zychlinski’s poetry was shaped by the hopes and horrors of the twentieth century. She lived in Poland, the Soviet Union, France, and the United States, and was fluent in five languages, but for over seventy years she wrote only in the one idiom that was truly hers: Yiddish.

An acclaimed and widely beloved Hebrew poet, Zelda’s work was utterly unique, conforming to no one school of Hebrew poetry. Her six books of mystical-religious verse were bestsellers, demonstrating that, while her poetry frequently referenced classical Jewish texts, it was admired by Jewish Israelis across political and religious spectrums.