For the first time, ever, I decided to watch the Tony Awards earlier this month. This is unusual for me; even Rachel Bloom hadn’t convinced me to be interested. I know next to nothing about theater, but having studied Yiddish and been fascinated by how we tell the stories of Jewish immigration to the United States, I had tickets next month to see Indecent, a drama about a Yiddish play that featured Broadway’s first on-stage lesbian kiss in 1923. I was excited to see how this play would fare at the awards show. When Rebecca Taichman won the Tony for the Best Direction of a Play for her rendition of Indecent, I grew even more excited. It felt that, at least for a while, Indecent’s legacy was somewhat secure on “the Great White Way.”

As We Are: A Jewish Feminist Theatre Project critically examines the aspects of Judaism that are tied to patriarchy, limiting representation of women and femme people.

Two driving forces in my life are creativity and passion. These qualities have always gone hand in hand. As I have grown through the years, my love for writing and my passion for activism have blended into one tremendous, creative, passionate, one-act play.

Tony nominated playwright Elizabeth Swados raised our consciousness; she opened our eyes and dared us all to dance. Swados gave much to the world: theater, the gift of herself, one who constantly seeks truth and justice, and a strong female leader. Liz Swados also impacted my life in a very personal way- she taught me the meaning of community. 

Over Boston’s long winter, I shared Shabbat dinner with a friend-of-a-friend who, unbeknownst to me, is a talented poet and playwright. In addition to winning a Massachusetts Cultural Council Artist Fellowship this spring, Cecelia Raker’s play dry bones rising made its first full-length, professional debut in May at the Venus Theatre in Laurel, MD.