I just finished watching the first episode of Bravo’s new reality show, “The Princesses of Long Island.” If you haven’t seen it, just think of a prequel to “The Real Housewives of Long Island.” The show focuses on 6 women in their late 20s who all live at home, have varying levels of codependency with their parents and are searching for their own “Prince Charming” while partying it up in Long Island.

Do I admire her because she's been described as "... evasive about her height, acknowledging only that she was under 5 feet and under 100 pounds?" Well, all the more points to Estelle Getty for being an itsy-bitsy powerhouse, but mostly I admire her for being a genuinely funny, talented woman, who never gave up on her greatest ambitions. In an industry where youth and beauty are often valued far above maturity and wit, Estelle turned the tables. She found success in her later years, cracked wise about it the whole time, and taught young women like myself a few things along the way.

Earlier this month we promised more from our new series Moments In History, which commemorates game changing Jewish women in entertainment.  Our last entry took a look at women on the silver screen—today we’ll explore memorable moments from the lives of four very different Jewish stars of the smaller screen.

In this amazing clip from MAKERS, Barbara Walters speaks of breaking not just the glass ceiling—but the steel ceiling. It’s hard to imagine Barbara Walters as anything other than successful and confident.

I'm not your old-fashioned Jewish Mother, who shovels guilt on my kids in whose lives I'm over-invested.

For the past year, I’ve enjoyed paying regular visits to MAKERS.com, a growing online collection of video interviews with an impressive array of women who have made a mark on the last half century of American history.

I was really wary of watcing HBO's new female-driven comedy, "Girls." I'd heard a lot of not-great reviews and was afraid it would read like an emo version of "Sex and the City," which I was never fan of to begin with. I don't typically fall for awkward comedies a la "Arrested Development," either, as they tend to make me, well, uncomfortable - perhaps because my life often feels like an awkward comedy, and I like for my TV shows to hit a bit less close to home. Still, I was drawn to "Girls" because Lena Dunham, its writer, creator, and star, is just 25 years old - and, oh, she's also Jewish. It's also produced by funnyman Judd Apatow (also Jewish), who has turned out such comedic greats as "Anchorman," "Bridesmaids," and "Superbad." With a behind-the-scenes cast like that, I knew I had to give "Girls" a try.

In an ironic, but perhaps unplanned turn of events, this year's Back Up Your Birth Control Day of Action comes the day after the premiere of season 4 of 16 and Pregnant. (And if you think I haven't been waiting for this television event since the end of last season...you would be wrong.)

"Is she Jewish?"

It's one of the first questions we Jews ask about anyone in pop culture who even slightly looks like one of the tribe, or has a "berg" or a "witz" as their name's last syllable.

I happen to think “Leslie Wunderman” would’ve been a fine stage name, conjuring up images of a sort of Jewish Wonderwoman, but I guess ‘90s pop star Taylor Dayne didn’t agree.

“[Debbie Friedman] emphasized the value of every voice and the power of song to help us express ourselves and become our best selves. As she wrote for JWA's online exhibit Jewish Women and the Feminist Revolution: 'The more our voices are heard in song, the more we become our lyrics, our prayers, and our convictions.' The woman who wrote the song that asks God to 'help us find the courage to make our lives a blessing' herself modeled for us what that looks like.”—Judith Rosenbaum.
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I have my mom’s nose.

Is there such thing as being a Jewess with too much attitude? Increasingly, it looks like the answer may be yes, and the evidence is in Millionaire Matchmaker star Patti Stanger.

Recently in The Forward, Jay Michaelson compared four characters from “Glee” to the “Four Children” from the Passover seder tradition. What I loved about the piece was Michaelson’s point that for young Jews, Jewish identity is one variable in a multi-variable identity that youth will embrace, when and if they find it meaningful. What bothered me about the piece was the language Michaelson used describing Rachel Berry, the analogous “Wise Child,” as an “irritating control freak” and “intolerable.” It was particularly difficult to read this because, well, I used to be Rachel Berry.