The first books I ever fell in love with were the American Girl books. The American Girl Company as a whole was a big part of my childhood, and its influence is still with me today: if it weren’t for it and Billy Joel’s “We Didn’t Start The Fire,” I don’t know if I would have passed US History last year. Educational value aside, the books have held up as fantastic examples of children’s literature, with their beautiful illustrations, interesting historical notes in the margins, diverse characters (including their cast of thirteen young female protagonists), and, most importantly to me, simple but solid stories.

When I heard that "Tiger Eyes" was being turned into a movie, I quickly turned to my friend circle to spread the news. Like any member of the facebook tribe, I immediately put a call out for Judy Blume fans—I figured if I was lucky, I could get someone to see Tiger Eyes with me when it comes out in June. I figured if I was really lucky, I could get someone to write a blog post for Jewish American Heritage Month about how Judy Blume affected their childhood.

Adapted from The Journey Home: How Jewish Women Shaped Modern America, by Joyce Antler (Schocken Books, 1997). 

Bel Kaufman, the daughter of East European immigrants and granddaughter of Yiddish novelist Sholom Aleichem, emigrated from Odessa with her family in 1923 when she was twelve, quickly learned English, and used the public libraries voraciously. 

You might expect a writer, at age 80-plus, to retire from the public eye. Not Faye S. Moskowitz. As chair of the English Department at The George Washington University, the acclaimed short story author still shapes the dialogue about Jewish American fiction and where it’s headed. She continues to give book talks and forge conversations between accomplished writers and aspirants. Her own work has sometimes been compared to that of famed Jewish American short story writer Tillie Olsen.

Best-selling author Judy Blume is among the Jewesses with attitude featured in “MAKERS: Women Who Make America,” the film that premieres on PBS tomorrow night.