Welcome to the JWA Book Club! We are excited to gather today to discuss Hanne Blank's rousing history of heterosexual relations, Straight: The Surprisingly Short History of Heterosexuality. 

I was Jewish and a woman and had no idea that neither was welcomed or acknowledged in the world of television writing in the 1960s. Not that such topics were on my mind when I was forced by sad happenstance to become widowed at the age of 31 and left to support my three young children. I had to get a job.

Welcome to the JWA Book Club! We are excited to gather today to discuss Meg Wolitzer's best-selling novel, The Uncoupling.

Welcome to the JWA Book Club! We are excited to gather today to discuss Sarah Wildman's Paper Love: Searching for the Girl My Grandfather Left Behind.

Exclamations of pride and wonder filled the room when we filed into the kitchen and found that the dough we had carefully mixed and kneaded had successfully grown into two pillowy, pungent loaves. Pulling off an olive-sized piece of dough, I recited the blessing “Blessed are you, God, who has sanctified us with your commandments and commanded us to separate challah.” Laughing and singing, we split the dough and began forming it into loaves.

Yelena Akhtiorskaya's debut novel, Panic in a Suitcase, has brought her a whirlwind of accolades, including a spot on the National Book Foundation's "5 Under 35" list. As JWA features her as part of a Power Couple for her unique take on the immigrant experience, our Web Content Editor, Lisa Feld, asked her about her writing, her new-found fame, and returning to Odessa decades after her family's exodus. 

New York Times columnist Roger Cohen sat down with JWA's Executive Director Judith Rosenbaum to discuss his latest book, The Girl from Human Street, a memoir of his mother.

I Carry My Mother is not only a tribute to the works of famous poets but, more importantly, to Newman’s mother, who passed away three years ago. The poems show her mother both as Newman wants her to be remembered as well as how Newman saw her as she was dying in her hospital bed.

Welcome to the JWA Book Club! We are excited to gather today to discuss Anita Diamant's new novel, The Boston Girl.

Frequent readers of novels know to expect certain tropes and themes in any coming of age tale: family, school, work, some combination of love, sex, and marriage. If the protagonist is female, then gender discrimination is sure to follow, and if the protagonist is from an immigrant family in America, then conflict over Americanization is equally inevitable. Anita Diamant’s new novel, The Boston Girl, hits every one of these story beats, yet the book is nonetheless an entertaining read enriched by historical research.

JWA's Executive Director Judith Rosenbaum spoke to Judith Plaskow about her groundbreaking work as a Jewish feminist, the unfinished work of feminism, and what she would change about Standing Again at Sinai were it published in 2015.  

“I can’t die before July 28^th,” my mother said as soon as her doctor strolled into her room at Long Island Jewish Hospital. “I have theatre tickets.” Then, exhausted from the effort of uttering those two short sentences, she lay back on the pillow and shut her eyes.

In November, 2009, New York Times columnist Roger Cohen titled his column “A Jew in England.” It describes his time as a student during the late 1960’s at Westminster, a leading British private school. Cohen related being “occasionally taunted as a ‘Yid’—not a bad way to forge a proud Jewish identity as a nonreligious Jew.” Five years later, he devoted an essay to his mother’s treatment for depression in an English sanatorium: “My mother was a woman hollowed out like a tree struck by lightning. I wanted to know why.” 

Chances are, no two people reading this post have the same favorite book. From month to month, I don’t even have the same favorite book—my tastes range from nonfiction crime thrillers to mid-century poetry, and hit quite a few unusual notes in between. I seek out novels I can get lost in. I like all kinds of mythology and the occasional graphic novel. Choosing what to read next can be overwhelming and generally, I need a little guidance.

Is abortion really always tragic? How much has pro-life rhetoric influenced women's attitudes toward abortion?

Roz Chast is one of The New Yorker’s most enduringly popular cartoonists, beloved for her signature neurotic style and quick wit. In her first graphic memoir, Can’t We Talk About Something More Pleasant?, Chast dives into the always frustrating, often funny, sometimes surreal world of elder care. As an only child, Chast was wholly responsible for making sure her aging parents were safe and taken care of, despite their tendency to drive her completely nuts. We meet her mother Elizabeth, a domineering woman who always had the last word, and her father George, an anxious man who adored Elizabeth. Together, the three of them navigate the last years of her parents’ lives, the brutal realities of aging, and the bittersweet comedy of reaching the end of the road.