Fress. Kvetch. Shtup.
Your life is a mess. You’re tired of the routine, you’re constantly craving more of what you’ve already attained, and you find true satisfaction in nothing and in no one. Well here’s the quick fix:
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Plan an expensive get-away.
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No, actually, scratch that—plan three expensive get-aways.
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But it’s not just the location that’s getting to you. You’re also sick of your significant other. So dump the schlub, give no real reason for your decision to break-up, and then…
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Swear with almost-compelling adamancy that you’re not looking to be in a relationship—
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then sleep with a string of people who look nearly indistinguishable from your former sig-o. The key here is that they all must be young, virile, and totally whipped.
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All the while, make sure not to deny yourself any culinary pleasure.
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Gleefully declare your independence from weight concerns, as you claim to gourmandize your way around the world, eat more—while still fitting magically into your ever-expanding wardrobe of size 2 sartorial splendor.
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Seek counsel from at least two oppressed Third World women who are visibly ‘ethnically Other.’
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But in the end, make sure that it is you who gives them advice. After all, what are you if not the paragon of discipline, self-control, and loving-kindness?
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Find yourself…in the arms of a ruggedly handsome Brazilian.
Summarized (in case we’ve lost you already): Eat without gaining weight, pray without believing, and love without…well, loving. In case you have not sacrificed 133 minutes of your life watching the film adaptation of Elizabeth Gilbert’s best-selling Eat Pray Love (which I have not read), the 10 rules outlined above will help you attain enlightenment, according to the film’s impeccable logic. Writing a review of this film, pointing to its almost laughably offensive hypocrisy and disturbingly classist, racist, and sexist messages, is like shooting fish in a barrel, and many have beat me to this task already. Instead, I want to reflect on the larger trends that this film and the book upon which it is based represent and how we can use Judaism to deal with some of these cosmic issues that the EPL cult supposedly tackles and resolves.
In this month of Elul, leading up the earlier-than-usual battery of Jewish holidays this year, we are charged with the task of intensive cheshbon nefesh, a kind of introspective reflection on our actions over the past year. In the current climate of crassly classist and gender-coded self-help quick-fixes, traditional Judaism offers us a much-needed antidote to the kind of ‘me first’ mentality of NSA new-agey spirituality that this film so strikingly emblematizes. EPL has to be one of the least Jewish films out there: despite the protagonist Liz’s insensitive and exploitative treatment of most of the other characters in the film, never once does our well-fed world-traveler express any genuine remorse for her cavalier treatment and attitude towards others. Perhaps most notable in Liz’s string of careless actions towards others is her bizarrely under-explained, sudden, seemingly arbitrary abandonment of her spouse at the very outset of the film. While classically “Jewish guilt” can be stretched to unhealthy limits, at the very least it affirms that which is most essentially human about us—our ability to feel, our ability to be accountable to others.